Handwriting Analysis : T's Tell Tales, Tall & True
By David Ellis
A
25-cent exercise book and a bit of teenage exuberance put Alice Weiser
on the road to becoming America’s Leading Lady of character and
handwriting analysis, culminating in a life of cruising the world to
share with fellow passengers the behind-the-scenes of some of America’s
most bizarre modern-day crime mysteries.
Scribble a few words on
a piece of paper, doodle on a bar coaster or simply scratch your ear
while you’re talking, and within seconds Alice will be telling you
everything you ever did – or more likely, did not – want to know about
yourself. And with an accuracy bordering the scary.
Her skills
have led her along the corridors of US law-enforcement agencies to
assist on unusual cases, into the boardrooms of some of its biggest
corporates to give advice on ‘people profiling’ for top-level
appointments, and behind courtroom benches to help judges pondering
whether an accused may have some hope of redemption with a second
chance.
Just how folk cross their T’s or dot their I’s has seen
Alice involved in analysing the Jon Benet Ramsey ransom note, the O.J.
Simpson “suicide” note and the infamous Anthrax Letters… and explaining
it all to radio and TV talk show audiences from America to Europe and
Australia, including one particularly notorious crime that led to the
making of the 1980s movie thriller Fatal Vision (that starred Karl
Malden and Eva Marie Saint.)
Alice Weiser was born in Boston and
enrolled early in college to study psychology, including handwriting
whose analysis fascinated her with its ability to reveal so much
in-depth information about an individual.
And at just under
sixteen, when her father helped organise a local charity fair, Alice
volunteered to man a handwriting analysis booth there.
"I bought
a 25c exercise book and invited people to make a donation and write in
my book ‘This will not facilitate the matter,’” she recalled during a
recent guest lecture series aboard cruise ship SeaDream I on its way to
the Caribbean. “I told those who could spell ‘facilitate’ correctly
that their intellect would take them to all heights – and those who
couldn’t, that their ‘street-smart’ would help them achieve their goals.
"They all went away happy – because I’d told them what they wanted to hear.”
Today
Alice says the letter ‘t’ is the most important in studying
handwriting. “The size it’s written, which way it slopes or if its
vertical, and how you cross it, tells us so much about you: if you are
proud and dignified, independent, loyal, have willpower, can set your
goals – or are just a procrastinator,” she says.
And she
recalled a case in which lawyers for a man facing jail for rape, asked
her to analyse the written statement of the alleged victim. “Normal
writing follows a rhythm, but as her statement went into the detail of
the alleged offence, her words became erratically spaced – indicating
she wasn’t telling the story as it happened, but was creating it as she
went along…”
The man was acquitted, and the girl subsequently admitted she’d lied.
How
we act physically when fibbing is another of Alice’s studies: “You
blink more when you’re lying, and often swallow more – and if you rub
your nose while you’re talking, you’re really telling your listener
‘What I’m saying actually stinks,’ while tugging at your ear is a
dead giveaway for ‘Don’t believe a word I’m saying.’”
When a
famous American surgeon was charged with murdering his pregnant wife
and two children thirty years ago, a newspaper became curious about the
angle a reporter on a local TV station began taking about the case. The
paper got hold of samples of the TV reporter’s handwriting and asked
Alice to analyse them.
“Her writing indicated she was getting
involved emotionally with the indicted surgeon… the whole event led to
the movie Fatal Vision.” (The reporter was taken off the case, and
backed out of her relationship with the surgeon who is still in jail -
Ed.)
Today the sprightly 75-year old Alice – once named
International Handwriting Analyst of the Year – cruises the world
giving lectures and writing about her life and work. At last count
she’d notched-up 127 such cruises.
And her final word?
“If you don’t want anyone to know anything about you, never put anything in writing.”
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