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Alias: Season 3

Review by Adam Weeks

So, after two fantastic seasons came the third effort for Alias, titled “Alias: Season 3, or How I Learnt To Stop Worrying And Remember Season 1 & 2 Instead”.

What had once been an intriguing, screaming at the television effort from J.J. Abrams turned into something that was suffering from David E. Kelly syndrome, with J.J. having too many fingers in too many pies, and the show suffering dreadfully as a result.

Alias: Season 3

For those who may not know the back story, Sydney Bristow (Jennifer Garner) is a regular university student who one day is approached by a representative of the C.I.A., and recruited into becoming an operative for them. The only problem is, not only is she not working for the CIA, she is in fact working for one of the most deadly terrorist organisations in the world, a unit known as SD6, headed up by Arvin Sloane (Ron Rifkin), and her father Jack (Victor Garber).

Vowing to redeem herself, she walks in to the CIA, and under the guidance of Michael Vaughn (Michael Vartan), she becomes a double-agent, and it fortunately comes as no surprise that her Father is doing the same thing!

Season 1 basically dealt with Sydney’s double life of lying to her housemates, her SD6 superiors, and completing lots of “Mission: Impossible” style operations to successfully counter-act her evil employer's plans, whereas Season 2 finished off the SD6 storyline, and introduced Lena Olin as Sydney’s supposedly long-dead mother, which culminated in a fantastic cliffhanger finale, where Sydney woke up in a strange alleyway in Bangkok two years after being shot and left for dead without any memory of where she has been.

It could, and should have been a perfect way to begin a new series, but unfortunately for fans everywhere it was an extremely disappointing season that showed flashes of brilliance here and there (“Facade”, “Full Disclosure”), but mostly disappointed mainly due to the (admitted) lack of general direction from creator J.J. Abrams, who was busy prepping both “Lost”, and his Midnight Run-style effort featuring Greg Grunberg.

Heavily featuring on the love triangle between Vaughn, his new wife Lauren (“Melissa George”) and Sydney, that was about as good as it gets for the show, resorting to lots of longing, pained looks from all of the leads, and too much of small calibre characters, which at a guess, were designed only to provide a bit of comic relief here and there, and cover up quite a few gaping plot holes.

While leaving the best people (Garner, Greg Grunberg as “Eric Weiss” and Kevin Weisman as “Marshall Flinkman”) to stand around waiting for something interesting to happen.

All up, the “surprises” could be seen a mile off, the Melissa George storyline simply wasn’t interesting, and with the exception of the two aforementioned episodes, it just felt like treading water, rather than going for the gold.

Thankfully, J.J. Abrams has indicated that he is fully back on board for season 4, which spells good things all around, and hopefully isn’t too late to save a once great show.

Regardless of anything negative I could say about the season itself, the DVD’s once again are a class act, and warrant repeat viewings of even the most lacklustre of episodes to catch all the goodies.

Over 6 shiny coasters are the complete 22 episodes of the series, which gets you geared up for around 17 hours of not-so-family fun… Make no mistake, at it’s lightest of times, “Alias” can be quite a violent show, so send the kiddies off to bed before you get going, m’kay?

This really is one for the die-hard fans I must say, because unfortunately just because a box looks pretty, the episodes look & sound great and the leads are all a pretty good looking bunch, it doesn’t mean it’s a must have.

Better luck next season guys.

DVD Extras

Commentary by Cast & Crew on 3 Episodes: Slightly more “technical” than the great season 2 commentaries, lead Jennifer Garner, creator J.J. Abrams, producer Ken Olin and a handful of others offer a fair bit of behind the scenes info on the eps, but occasionally fall back to the recitation of what’s happening on the screen which makes you quickly reach for the “Audio” button on your remote, ‘cause let’s face it, if you want a running commentary on people walking into a building and asking for someone at reception, you can always get your wife / girlfriend to do that for you.

Fan Commentary on “The Two”: In the Blue corner, a winner of the biggest “Alias” fan contest, in the Red corner, a critic from TWOP.com, The Outcome: absolute rubbish.

Deleted Scenes: As you can expect, most shows are scripted to run for the 45, 47 minutes, or whatever it turns out to be, but occasionally it runs long, and that’s what these snippets are, smallish scene extensions, in some cases changed dialogue, but definitely nothing that you yell “Oh My God! It all makes sense now!” to.

Blooper Reel: Now, this is something that has been consistently funny on each season so far, and the third season is no exception. Why they continue to do “America’s Funniest Home Videos” style music over the top of the track is beyond me, but the screen flubs are great, with Victor Garber once again taking the cake as one of the funniest guys around. Just wait for the “Sydney, I have to show you something” line… absolute classic.

Featurettes: “Burbank In Barcelona”, “Alias Close-Up”, “Creating Characters” are all shortish bits and pieces on behind-the-scenes action, but it’s really nothing more than a glorified EPK, although when Ricky Gervais pops in for a conversation (he guest stars in “Façade”), it’s funny as all hell. “Creating Characters” is from the annual Museum of Radio & Television event, but unfortunately is considerably shortened, which is a bit of a disappointment.

Tiny little bits: “Alias: Tribunal” is a very short animated feature that focuses on one of Sydney’s assignments during her “missing years”, which is kind of…eh. If it had been a fully fledged ½ hour segment rather than 5 minutes (if that) of so-so animation, this would have been a nice little bonus, however, the 2 commercials which accompany it, the infamous “Monday Night Football” parody & Vartan’s Stanley Cup ad are both pretty entertaining, if only for Vartan’s inability to recite his lines at some points, when he gets genuinely overwhelmed from being in the presence of the Holy Grail of Canada.

So are the extra features worth buying the set for, if I really didn’t enjoy the season? No, not really. They are admittedly much better than the typical promo spots and “sneak previews” that some sets class as extras, but unless you found some enjoyment from the storyline this year, chances are you wouldn’t shell out the cash for it

Conclusion: Movie 70% Extras 85%

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