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Looking For Alibrandi

Review by James Anthony

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Goddamn it, we're good. In fact, we are bloody good! And it's fair to say that in the world of bringing good, true-to-life stories on to the big screen we're equal to the best - the Brits.

Look at the track record. In recent decades you can name Breaker Morant, Gallipoli, Romper Stomper, Malcolm, Death in Brunswick, Muriel's Wedding and The Sum of Us as excellent pieces of film-making that stand the test of world scrutiny.

Now we can add Looking For Alibrandi to the list and it's not just because of the swag of Australian Film Institute awards (including best film) that it won.

No, Looking For Alibrandi is a winner because it has style and wit and treats its audience as intelligent people who can enjoy sophistication without having it explained to them.

It is the story of teenage love and angst but, despite touching on the tragic, it is all about living and learning to break free of societal chains.

Josie Alibrandi (Pia Miranda) is in her HSC year and not only does she have that series of exams to worry about, she is in love with a seemingly unattainable boy, hates her Italian heritage and struggles with the fact that she doesn't know her father.

The film begins on National Wog Day, as Josie calls the despised day where her family gets together to make bottles of fresh tomato sauce, and follows her battle to come to terms with her ethnic background in a system that seems to favour wealthy, blue-eyed Anglos.

Add to the story mix a tri-generational clash of cultures over personal values, stir in Josie's desperate need for a relationship with her newly discovered dad, top it off with a dollop of nicely judged humour and you have an absolute treat.

Pia Miranda is sensational and deserved her best actress award. Her Josie is clever, unsure, vulnerable, fiesty, funny and breathtakingly engaging. It is a complete performance that has you wishing her success in whatever the character wants to get.

The other cast members also act out of their skins.

Greta Scacchi is achingly haunted as Josie's mother, who has brought up her daughter alone after falling pregnant to the next door neighbour's son. Not only does she have to fulfill her duty as a parent, but she also must continually put up with her overbearing mother's anger at her being a solo mum.

Elena Cotta is superb as Nonna, the grandmother, and her tale will have most women crying in the aisles when she finally reveals it to Josie.

Anthony La Paglia lends a mature male air as the barrister who has only just discovered he has a teenage daughter and their burgeoning relationship is both funny and heartwarming.

The two teen males, Kick Gurry and Matthew Newton, both show huge potential as the lads from each side of the social tracks who compete for the attention of our heroine.

Looking For Alibrandi is an absolute delight and a must-see, although the one niggle is that the soundtrack at times overwhelms the characters' speech.

Conclusion: Movie 90%, Extras 70%

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