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Amelie

Review by James Anthony


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If you are in need of a bit of magic to lift your spirits in a hectic and spiritually bereft world, then Amelie is just the touch of fantasy you may need.

Starring the doe-eyed Audrey Tautou as the lead character, Amelie is a whimsical journey that zig and zags through a momentous period of her life.

It begins when Amelie is a young girl and you get to meet her humourously disfunctional parents, and despite the fact she's lonely the youngster is never sad.

In fact even tragedy is laughed at in Amelie and there are so many hugely enjoyable moments that I may have to take back my official position that the French do not have a sense of humour.

As a teen our heroine decides to leave home and moves into a block of flats where there are characters by the dozen. There's the artist with easily broken bones, the nasty old fruiterer, the concierge whose hubby left her 25 years before and fled with a younger woman to South America (where he died in a car crash).

Amelie has had a couple of boyfriends, but no earth shook, and so she just enjoys her work in a cafe and is happy to be a carefree lass.

That is until she one day discovers an old toybox hidden inside a wall cavity and that sets her on a mission to return it to its former owner. Seeing the reaction of the boy-turned-middle-aged-man, Amelie then decides to help others out in a similar way.

The satisfaction of helping others in a variety of amusing ways seems to be all she needs for a contented life until she is lovestruck at the sight of a young man who has a strange hobby of collecting torn up photo-booth portraits.

Although her magical healing ways have worked for others, Amelie's own plans to catch her man are amusingly frought with difficulty and will leave you with both a smile and a warm inner glow.

Tautou is simply bewitching as Amelie and she heads a cast of unusual characters who take this movie to classy heights.

The video transfer of Amelie is near-perfect and shows off the gorgeous photography to the max. The colours are lush, the images crisp and it has a visual warmth that makes embracing it very easy indeed.

The sound is fine, although the subtitles are far too intrusive. Instead of being placed over so much of the picture they really should have been dropped into the black border of the letterbox format.

Amelie is one of the most refreshing movies this chap has seen in a long time and is a wonderfully uplifting piece of whimsy.

Conclusion: 90% Extras: 70%


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