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Boytown


Review by Sean Lynch

Please Note: Before reading this review, you must bear in mind that the following Australian made film "BoyTown" does not contain one frame of Bill Hunter. If this is a problem, please turn away now - or go and watch "20 to 1".

Yes ladies and gentlemen, finally it's an Aussie comedy that doesn't include the phrase "Strewth", "Crikey" or "Hand Me That Crocodile Matey".

Boytown

Mick Molloy returns to the big screen in the long awaited follow up to the lawn bowls themed Crackerjack (still the highest box office grossing Australian film since 2002) and isn't this one a corker.

Based on a sketch idea brought to Molloy by fellow comedian Glenn Robbins in the late '90s (and subsequently used on Molloy's short lived and ill-fated TV comedy series) BoyTown follows the adventures of an out-of-luck and out of fashion former boyband from the '80s who decide to give fame and fortune one more crack.

BoyTown is easily one of the most enjoyable Australian films of the last few years. It's storyline is simple, yet hilarious - it's got a lot of heart and some terrific performances (Robbins and UK actress Sally Phillips are fantastic) and it's without doubt the most accurate portrayal of Australian culture and life yet put to the silver screen (the scene in which Molloy's Gran is sorting out "Who's underpants are these?" in the lounge is a situation which I'm sure has played out in most Aussie households). There are plenty of legitimate laugh out loud moments (in particular the often extravagant video clips - cue the Shetland Ponies and tight pants!), and there is an underlying drama which is amazingly convincing and touching that is completely unexpected, but largely welcomed.

For those who were slightly disappointed with the laugh-to-comedians ratio of Crackerjack, you'd best prepare yourself for some disappointment with BoyTown. Not to say that the film is bad, but with a premise that is almost infallible and a cast encompassing the very best of the Australian comedy pool from the last decade (Glenn Robbins, Gary Eck, Tony Martin, Bob Franklin, Wayne Hope, Lachy Hulme, Ed Kavalee, Josh Lawson, Akmal Saleh and of course Molloy) you almost expect to see something of the calibur of a long overdue Australian Anchorman

But sadly, the laughs just aren't there.

It's mammoth cast is both a blessing and a curse. Your expectations are set so high because of the names and familiar faces, it is almost impossible be satisfied with the outcome. Having said that, you will often find yourself forgetting of that disappointment because it's such a novelty to see all these faces on the big screen. Robbins largely carries the film (his mere presence on the screen prepares you for laughs), and while giving a superb performance, is ultimately the straight man of the film without one joke at his disposal (bar one scene involving the obligatory Robbins/Underpants shot).

Sydney based comedian, Gary Eck (best known for his work in the much underrated You Can't Stop The Murders), gets most of the laughs as the cocky and unco-ordinated Corey (a role originally meant to for real life former pop star Jason Donavon), while Wayne Hope works well with what he's been given. However, comedy veteran Bob Franklin's abilities seem to be under used, which is a real shame.

One of the films' stronger points is it's ability to tell the story through the songs. There are some superb mock-pop tracks written by the Molloy Boys with the assistance of Gareth Skinner, many of which (the title track "BoyTown" in particular) could have easily sat comfortably on the charts in the mid-to-late-'90s boy band era.

The film's closing act seems somewhat left of centre and slightly out of sync with the tone of the preceding 90 minutes and one can't help but think that perhaps the humourously absurd comedy Molloy really wanted to make was smothered by investors looking to make the film as broad as possible. Ultimately, BoyTown serves as an entirely entertaining film - easily one of the best Aussie comedies in some time - which never quite seems to reach the potential it's audience is yearning for.

Molloy and company are fast becoming the best thing in the Australian film industry, and hopefully with another success behind them in BoyTown - we may be on the way to seeing the no-holds-barred Australian comedy (an Australian Anchorman?) we have all been waiting for, and that the Molloy boys are more than capable of.

DVD Extras

The DVD is fairly impressive, with a bounty of extras - and some pretty cool menus (I'm such a menu geek!). As you would expect - and hope - all 12 video clips for each BoyTown track is included in full, along with hilarious mock Boytown facts.

There's a rather amusing Behind The Scenes, an extensive number of Podcast Audio bytes from the casts visit to Tony Martin's Get This! program and a sneak peak at Boytown Confidential.. In an interview with Molloy during the films theatrical run, Molloy hinted at the fact that Martin was working on a feature length Boytown Confidential doco to appear on the DVD. Whether this "Sneak Peak" (which features an amusing Lachey Hulme doing an extended chat with the camera man) is all that is on offer - or perhaps the distributor is holding out for a 2-Disc Edition which will feature the full length doco - remains a mystery.

I must admit, it's becoming an annoying trend that companies will purposely release a single disc, followed by a 2 disc a few moths later. Special editions used to be an after thought - but now, they are a strategically planned money spinner. Either way, it will be interesting to see what they do here.

All in all, not to shabby.

Conclusion: Movie 75% Extras: 70%


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