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 The Camomile Lawn

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Review by David Woodward

Acorn Media has done it again (see my review of Behaving Badly) by releasing a DVD of a quality British TV mini-series The Camomile Lawn which was first broadcast in March 1992.
While substantively a British production, it is a surprise to learn that it was actually made in association with the Australian Broadcasting Corporation (see, we aren't a useless mob after all!).

The Camomile Lawn

The Camomile Lawn started out as a 1984 novel by Mary Wesley about wartime London and Cornwall as seen through the eyes of five cousins. The title refers to a fragrant chamomile lawn stretching down from the garden of a house on the Cornish cliffs - sure, not the most inventive title ever, but fitting none the less.

So often these "Book Adaptions" have fans in an uproar. Golden Compass fans were outraged at the changes made to the original text, as were fans of Phillip K Dick. However not having read this particular book, it is understood that virtually nothing in the mini-series is changed from the original book.

The mini-series is a fast-paced, earthy, complex (but really well constructed) story of an English family over a 50 year period starting off when a family gathers at a funeral 40 years after World War II. On the way to the funeral, members of the family remember their earlier War years when Richard and Helena and their nieces and nephews (especially Polly, Calypso and 10-year-old Sophy) gathered at their uncle’s house with the aforementioned chamomile lawn.

The majority of the story is set during the War years where the characters play out their lives and their dramas in London or Cornwall with flash forwards to the two days at the funeral in 1984 which takes up the final half hour of the production.

There are some great performances – Paul Eddington plays a rather unsympathetic character in a role that was filmed about 5 years after he did Yes Prime Minister, which might explain why he really looked his age. Felicity Kendal delivers with a dramatic performance far removed from her normal comic appearances.

The majority of the stars playing the War years’ characters and their modern day counterparts are particularly good, especially Tara Fitzgerald and Virginia (Born Free) McKenna as Polly and Jennifer Ehle and Rosemary Harris (Ehle's own real-life mother) as Calypso, as they all have a convincing likeness to help continuity. 

Rebecca Hall plays the 10-year old for most of the film with Claire Bloom seamlessly taking over the role for the latter years. Although Richard Johnson is a strong presence in his role, it was more interesting to see Toby Stephens (the villain from Die Another Day) playing the pivotal younger version of Johnson’s character.

The Cornwell coast is a perfect setting for English dramas like this and it certainly looks its best here. The music, although based on a classic piece, actually sounds much like the theme for the TV series Doc Martin which also is set on the Cornwell coast.

The mini-series displays some great production values which seem to exceed what you’d expect from a television budget. There is some gratuitous nudity which was obviously designed to attract TV audiences in 1992 - but film and nudity have always gone hand in hand. There is also one quick scene (which admittedly the storyline builds up to) when one of the female characters is caught naked in bed with identical twins Paul and David (scenes which you would assume would air late night on SBS rather than an "upmarket" BBC drama).

Classy, and slightly racey, fun!

EXTRAS

There are up-to-date filmographies of all the stars included here. With all due respect to the author Mary Wesley, there is also a totally unnecessary biography of her included as an Extra.

Very sparse value here!

Conclusion: Episodes 80% Extras: 40%

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