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Le Nozze di Figaro

Review by James Anthony


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One of Mozart's four big operas, The Marriage of Figaro is a tale of forgotten love among the classes.

Originally banned for its political message, The Marriage of Figaro is filled with heavenly arias and beautiful music and highlighted with some amusing comical situations.

 

This version of Figaro was filmed at the Glyndebourne Festival Opera in 1994 and features Gerald Finley (Figaro), Alison Hagley (Susanna), Renee Fleming (The Countess), Andreas Schmidt (The Count), Marie-Ange Todorovitch (Cherubino) and the talents of the London Philharmonic.

As with many efforts at staging this opera, the sets are fairly static, but while they are extremely well done, the beauty of Figaro is more about the vocals and here they come up a treat.

As the lead, Gerald Finley is terrific. He plays all the emotions well and his vocal range is strong. The highlight would be his cheery farewell to his supposed rival Cherubino in Non Piu Andrai, Farfallone Amoroso.

Renee Fleming's cavatina at the beginning of Act II is a heartrending cry for the return of her husband's lost love. It is a truly moving piece and is delivered with carefully moderated power and sensitivity.

But, for mine, the outstanding moments of the entire production comes from Marie-Ange Todorovitch who, as the cheeky Cherubino, sings one of the most beautiful love songs ever written. Voi, Che Sapete is simply exquisite and Todorovitch's treatment is more than enough to turn anyone's heart.

If you are in to opera then this performance will sit very nicely in your collection.

Conclusion: Rating: 90%

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