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Frankenstein

Review by John Kay


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Dr Henry Frankenstein (Colin Clive) and his hunchbacked assistant, Fritz (Dwight Fry) rob a grave, and steal a hanged corpse to obtain bodyparts.

As neither of these sources provides a usable brain Fritz is sent to a medical school to obtain one.

He drops a jar containing a good brain and escapes with a second, which is showing signs of deterioration.

Henry's fiancée, Elizabeth (Helen Chandler) is concerned about Frankenstein's state of mind. She persuades his friend, Victor (John Boles) and Dr Waldemen (Edward Van Sloan) to take her to him. They arrive at his laboratory, based in an ancient watchtower, at the very time a storm erupts.

The lightning strikes and… Frankenstein's Monster is born!

Frankenstein was filmed over 70 years ago from a tale of terror first published in 1818 written by Mary Shelley. Mary, her husband Percy Bysshe Shelley and Lord Byron spent part of a wet summer in Switzerland reading and writing ghost stories.

In it's first incarnation the monster is constructed from bones recovered from a charnel house, posesses supernatural strength and is revolting in appearance. It is devoid of any redeeming quality and goes on to murder its creator's brother and bride.

In this film the monster has a child-like simplicity brilliantly played by Boris Karloff.

James Whale, the director, adds electricity, modern appliances and makeup that has defined the monster ever since.

Although, in common with many of the films of the 1930's the acting is stagey, Colin Clive as Frankenstein is very convincing as the obsessed scientist.

In later life, after a successful film career, Boris Karloff was financially secure. Often when signing a large cheque he would say, "Thank God for the Monster!"

Conclusion: 80% Extras: 70%.


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