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High Society

Review by John Kay


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Tracey Lord (Grace Kelly) is a rich Rhode Island heiress who is as beautiful and as cold as an ice maiden. She is engaged to marry George Kittredge (John Lund) a wealthy, worthy… bore.

The wedding date coincides with the Newport Jazz Festival that is organized by C.K. Dexter-Haven, her ex-husband, who is determined to sabotage the affair.

Reporter from the scandalous 'Spy' magazine, Mike Connor (Frank Sinatra), and photographer Liz Imbrie (Celeste Holm) ably assist in his scheme.

Tracey tries to cover up the darker side of her life, in particular her philandering father's (Sidney Blackmer) activities, which results in increased complications, including a naughty flirtation with Mike.

Louis Armstrong, as himself, provides commentary and jazz content when he is accompanied by the 'All Stars'.

High Society is one of the best musical films ever made; it is now almost 50 years old and is as sprightly now as it was at birth.

Cole Porter is at his sharpest, providing witty lyrics and stylish music including: 'True Love' – Bing Crosby and Grace Kelly (a number one hit when released). 'Who Wants to be a Mllionaire' – Frank Sinatra and Celeste Holm. 'Now You Has Jazz' – Bing Crosby and Louis Armstrong. 'Mind if I Make Love to You'. – Frank Sinatra. 'Little One' – Bing Crosby and Louis Armstrong. 'Well Did You Ever?' – Bing Crosby and Frank Sinatra.

In this talented ensemble two stand out, Bing Crosby and Frank Sinatra; the vocal harmony and comic timing between them rivals the best of Crosby and Hope.

Crosby: (croons) "Like bar, bar, barroom, mum, mum, mum, moom.

Sinatra: (abrasive) "Don't dig that kind of croonin' chum.

Crosby: (double take, pause) "You must be one of the newer fellas."

Director Charles Walters keeps the pace moving along, pictures perfect, soundtrack great and the length, just right.

Conclusion: 90% Extras: 75%.


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