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I'm Still Here

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Review by Sean Lynch

Having finally seen Joaquin Phoenix and Casey Affleck's opus I'm Still Here, I am still a little torn as to where I stand on the whole thing.

While it is very easy to stand back and bag the mockumentary for what it is (essentially a slow, mis-guided mess), when viewed in a much broader context, I’m Still Here displays a glimpse of film making genius.

im still here

A striking - and pretend - portrayal of a tumultuous year in the life of internationally acclaimed actor and two-time Oscar nominee Joaquin Phoenix, I'm Still Here stands as the directorial debut of fellow Oscar nominee Casey Affleck.

It is sometimes funny, sometimes shocking, yet always riveting (in a car crash kind of way) – a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of life spent in the public eye.

As a stand alone film, I’m Still Here is far from perfect, it is highly disposable and a poor attempt at a more "dramatic" Borat (hell, it even involves a cringe worthy "men in bed" moment like Sacha Baron Cohen's far more successful Borat) – however when looked at as a piece of a much larger social media experiment, I'm Still Here is a pretty astonishing achievement.

Many people are complaining that the movie was rendered "pointless" when it was revealed that the whole thing was just an elaborate ruse, a well crafted hoax. People's main problem – "It's not real!".

However, is that really true?

For two years, TWO YEARS, Phoenix’s public persona WAS his I’m Still Here character. It WAS a reality to the public – it WAS just as real as any other celebrity we hear about on the news, on the web or in the tabloid rags.

I’m Still Here is also one of the finest studies of the power and impact of celebrity and the viral nature of the internet. It is a perfect bookend to a decade which has been defined by the "Paris Hilton / Charlie Sheen / Lindsay Lohan" tabloid fame generation.

Again, the film itself doesn’t hammer this home, but every piece of press that had surrounded it for the past two years does.

And – can I just say – Phoenix is also responsible for one of the most recognisable images of the last five years. The dishevelled, bearded, big glassed, hobo in a suit is instantly associated with the project and the actor. How many cinematic creations can say that beside James Bond... and maybe Bruce Willis' Die Hard clothes?

Well worth checking out, but do yourself a favour and research the rest of the puzzle. It makes for a much more interesting artistic experience.

DVD Special Features

The movie itself was a giant critical and financial bomb, taking in less than $450,000 in the United States. That's a pretty big damn two year risk for Jaoquin. It's the one time where his guy would surely sink and he would think "Maybe I'm not as funny as I think I am".

The DVD is a must watch however, with a bunch of deleted scenes and one of the very few audio commentaries which MUST be listened to.

Conclusion - Movie: 75% Extras: 70%

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