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Irresistible

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Review by Clint Morris

It’s amazing what money can buy these days – in the case of the feeble Aussie pic Irresistible it’s a couple of big-name international stars who are prepared to turn up in Australia and read lines cold.

Susan Sarandon wouldn’t have been easy to coax into a small Australian film, especially one that’s not even much chop, so it’s fairly obvious the makers of the new Melbourne-set thriller had some cash up their sleeve.

Irrisistible

The fact that Sam Neill and rising starlet Emily Blunt (The Devil Wears Prada) feature in the main co-starring parts is even further corroboration that the production wasn’t short of a penny.

What they are short of though… is a clue.

If the filmmakers had tried to get Irresistible up without it’s “all star cast” it might have never happened. There’s no way an investor with half-a-brain would pour his or her money into such an old-hat piece of rubbish.

Sarandon plays Sophie Hartley, an artist and wife of a prominent Australian businessman (Sam Neill), whose suddenly convinced that that someone - most likely her hubby’s co-worker, played by Emily Blunt - is trying to steal her children, her husband: her life.

For all intents and purposes, Irresistible is a bad film in good film’s clothing – looks appealing on the outside but on the inside its as hollow as an Easter egg - think The Temp or The Hand that Rocks the Cradle but with some super-fine talent up front and some compelling cinematography. The fact that it’s set in Melbourne gives it another element… I guess… but not enough of an element to make it any less dreary though.

Remember for next time guys, it’s quality not quantity that matters in the long run.

EXTRAS

There are a slew of cast and crew interviews (the makers trying to squeeze as much of the star power as they can put of Sarandon), as well as the short film 62 Sleeps from director Erin White.

Conclusion: Movie 10% Extras: 20%

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