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 The Dick Cavett Show:
John & Yoko Collection

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Review by Sean Lynch

"I don't believe in Beatles, I just believe in me". More stern or philosophically simplistic words have not been spoken, and music legend John Lennon has a bag of them.

Having said that, he also said "I am the Walrus, Goo Goo Ga-Joob, Goo Goo Ga-Joob", so...who knows what to believe! 

The Dick Cavett Show: John & Yoko

None the less, this 2-Disc collection of the several appearances by John Lennon and his controversial wife Yoko Ono, is without doubt a true piece of television history.

Dick Cavett was certainly no Johnny Carson, he was no Letterman and judging by his interviewing techniques, he's lucky even to even be considered no Rove McManus. But, for whatever reason, Cavett secured some of the most sought after interviews of music legends on his public television show during the 1970's. 

From Hendrix to Joplin, The Rolling Stones to Ray Charles to the interviews with the man in question John Lennon, Cavett was one of the few tonight show's which allowed musicians "couch time" as opposed to simply marginalize performers to the last five minutes of a show.

Cavett doesn't have to probe too deeply in the first of the interviews (recorded on Sep 11th, 1971). Lennon is in relatively high spirits, newly unburdened of The Beatles (his first TV appearance since the split)- and a new solo album to plug "Imagine" - Lennon gradually eases into the conversation with a dry humour which he became famous for during his Beatle years as "The Funny One". So much is discussed: British TV, the misuse of public protests, global overpopulation, Native Americans, Lennons' favourite illustrators (Thurber) and John & Yoko's films.

Lennon was well known (post-Beatles) for his dislike of discussing "The Good Ol' Days," yet Cavett somehow manages to subtlety maneuverer the conversation into that territory on numerous occasions. While Lennon makes Cavett work for the first ten minutes or so (Cavett is clearly nervous, with sweat dripping from his forehead quite steadily early on in the interview) eventually there is a much looser story which emerges. Yoko, while soft spoken, is clearly relaxed with Cavett which eases Lennon into being able to be extremely intellectual and humorous (however, this could be due to the amount of cigarettes and scotch that both consume throughout proceedings).

By Lennons' third appearance in May 1972, the mood isn't so light hearted. John was at the beginning of a four year battle against deportation, and Yoko was trying to find her daughter from a previous marriage who had been stolen by her former husband. Legal documents are discussed on air, with Yoko's pleas to find her daughter censored by the network (via title cards to hide the photo of Kyoko, and the audio being turned off for almost a minute as she explains her plight). Just prior to the episode, network executives also ordered John's performance of the song "Woman Is The Nigger Of The World" to be edited out of the show. 

However, due to a protest from Cavett himself, the song was eventually included with a disclaimer shown before it.

This is a fantastic bit of music history. While those unfamiliar with Lennon's work may not get as much out of this as real music lovers, there are still some fantastic television moments here (even if they are hidden in between the constant "Ums", "Ahs" and numerous awkward interviewing techniques of Cavett).

Lennon once sung "Life is what happens when you're busy making other plans". If that is the case, be sure to make time to look at these interviews at least once. It's part of history, and worthy of being part of your life. So keep your plans on hold for just a little longer.

EXTRAS

There is a bonus featurette "Cavett and The Lennons" which has a much older Cavett (age has not been kind to his once charming looks) talking about his relationship with John and Yoko. However, nothing will beat Yoko's performance on Disc 2, which is certainly not one of music history's finest moments.

Conclusion: Movie 75% Extras: 65%

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