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 The Legend of Zorro

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Review by Clint Morris

Just because you’re a loud, eye-catching, larger-than-life bragger doesn’t mean people are going to want to spend much time around you. In the case of The Legend of Zorro, it’s palpable self-assurance and haughtiness hurts its chances to be head-of-the-class from the get-go. But unlike an over-the-top school clown, you will be able to take more than a few minutes of it - and quite easily.

The Legend of Zorro

It’s been seven years since Antonio Banderas first carved a Z into the threads of Catherine Zeta Jones’s cossie, but now Zorro is back – as equally bloated as the re-emergence is belated. Granted, the holes and hiccups are only more visible because the first was such a near-perfect quiet achiever, and this one’s seemingly certain that it’s won the race before the pistol’s even sounded. It deserves to be bought down a couple of notches, right?

Set ten years after the last instalment, The Legend of Zorro sees the veiled avenger, now married with son, attempting to keep the mask-on-ice for a while in an effort to save his nuptials. She eventually does part ways with her man and runs into the arms of – yep, you guessed it – a closet nasty.

Needless to say, Zorro rides again – this time to catch the rogue that’s snatched his wife, and to foil the villain’s plans to destroy California.

There’s something a little off-kilter with the sequel. Whilst the first seemed intent on being simply a serious-enough adventure jaunt with three amazing performers out front, this one seems intent on using for padding what so many Hollywood films are using these days – awful computer effects, cheesy one-liners and yawnable first-half’s. Replacing Anthony Hopkins – who’s not back for this one – with the output of an I-mac? Never a good idea.

Still, there’s enough here to please fans of the first film. The cinematography looks quite sublime at times, Banderas is as good as ever in his trademark role, and though it seems a little too-much ‘Warner Bros.Movie World Wild West Stunt-show’ at times – the well-staged action sequences are a hoot, especially the final sequence aboard a moving train. It’s also good to see a film that the whole family can enjoy together – something that’s low on body count, and steers away from the sexually suggestive or dirty natter that so many action-fests incorporate these days.

With the inclusion of Zorro’s kid this time around, it seems the producers are leaving the gate wide-open for a Son of Zorro sometime in the future. Something tells me that might never come to fruition though - there just doesn’t seem to be enough hot air in this franchise balloon to keep it flying.

EXTRAS

The usual bounty awaits all those who dare to purchase. Director and Cinematographer Commentary, Deleted Scenes, Featurettes. Like the film itself, the whole package seems a little half-assed.

Conclusion: Movie 65% Extras: 60%

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