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The Love Letter

Review by James Anthony


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They say the pen is mightier than the sword and, in the New England town of Loblolly by the Sea, it is about to wreak more havoc than a horde of Viking berserkers in a library.

For, unbeknown to the residents of the peaceful fishing town, a love letter is slowly circulating that brings with it a tidal wave of misunderstandings. The letter is so beautifully written and so touching that all who read it are immediately entranced by the thought that someone had sent it to them.

That sets in motion a wild roller-coaster ride of emotions as love and unrequited love come to the fore with charming and amusing consequences.

The main character is Helen (Kate Capshaw), who owns the bookstore and has abandoned love in favour of running a business with her long-time buddy, Ellen DeGeneres.

Capshaw is wonderful in the lead role, playing the vulnerable and reserved Helen with an understated longing. DeGeneres is simply excellent as Helen's man-hungry mate and, it must be said, that I've never seen her in a better, or more likeable role. She's warm, brassy, loud, up-front and very human. (Watch for her uttering the best line in the movie.)

The chaps in The Love Letter are not given the same choice roles and so don't have quite the same screen presence as Capshaw and DeGeneres.

The first is the very charming Tom Selleck (please grow the mo back, Tom), a just-divorced George who, despite longing for her, is fated never to be single at the same time as Helen.

Joining him is Tom Everett Scott, who plays Helen's young love interest, and while competent enough, he tends to get overshadowed by the other three.

The Love Letter is a very watchable and enjoyable tale that moves along at a perfect pace that neither has it rushing, nor crawling. It is a tale of people and romance and is full of little twists, turns and a rather large surprise.

Highly recommended viewing.

Conclusion: Movie 85%, Extras 60%


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