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Mamma Mia! The Movie

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Review by Sean Lynch

If Sweeney Todd was the most dark, depressing and downbeat musical to ever hit the silver screen, Mamma Mia! The Movie is at the complete opposite end of the spectrum.

This long awaited adaptation of the stage hit, based on the music of ABBA
, without doubt delivers more camp than Ray's Tent City and a party at Molly Meldrum's house - combined.

And the reason this musical succeeds where so many others have failed? The answer is simple: from start to finish Mamma Mia! The Movie never tries to be anything more than it is - a bit of fun.

The set up is short, sharp and to the point:

Mamma Mia

Donna (played by a feisty Meryl Streep) is an independent, single mother who owns a small hotel on an idyllic Greek island, and is about to let go of her daughter Sophie (the boggle eyed Amanda Seyfried) - the daughter she has raised alone.

For Sophie's wedding, Donna has invited her two lifelong best girlfriends - but Sophie has also secretly invited three guests of her own (Pierce Brosnan, Colin Firth, Stellan Skarsgård)... all of themwho could potentially her father.

So it's a case of solving the mystery, hiding the ex-lovers from Donna and getting blind drunk in the afternoon 
with your friends while a bunch of topless male models dance in the background.

There is little more than that to it.

But, at the end of the day, it really isn't an issue when it comes to enjoying this species of film.

Let's face it - by now you already know if you are the sort of person who is keen to see this flick. The movie did gangbusters at the cinema (it was so big, a limited edition "Sing-Along" version of the film was released and acheived the odd by having the same movie appearing in the Top 20 grossing movies in the country... in the same week), and those who wanted to see it... generally did so several times over.

So, bear in mind, the review that follows isn't aimed at hard-nosed critics who are looking for pathos - it's aimed at the girls, the gays and closet ABBA fans who wouldn't mind bursting out a tune or two in the privacy of their own home.

With that in mind, the real strength and appeal of Mamma Mia! The Movie isn't it's character development nor it's storyline - but simply the consistent tongue in cheek fashion in which each aspect of the film is played out.

The gags are corny, the actors are given little to work with and the performances are so over-the-top and drizzled with cheese you could be forgiven for thinking it was produced by Bega. But it suits this concept to a tee, and anything less would have spelled disaster for the movie.

A mix of Grease and Hairspray, the overwhelming sense of fun and youthful air of nostalgia that sweeps over the viewer is undeniable. It is the sort of film you can see being played fifteen years down the track alongside
The Rocky Horror Show and Priscilla Queen of the Desert to packed houses full of fans dressed as their favourite characters.

Meryl Streep does well to carry a good majority of the film, while the middle-aged male trio of Brosnan, Firth and
Skarsgård are superb. The chemistry between all of them is sublime, each garnering enough personal highlights to keep everyone happy. Colin Firth is particularly good, but as always, seems to be repeating a role he has played many, many times before.

The only real weak spot that seems to disrupt the flow of the movie (and take the viewer out of the cheesy world Mama Mia! The Movie creates) is Pierce Brosnan's attempts at singing. 

Make no mistake, the guy knows how to hold a tune - but when it comes to miming a song and trying to remain masculine (bear in mind, Brosnan is the ultimate "Man's Man" - he was James Bond 007 after all) it simply doesn't work.

At the end of the day, no matter how impressive the ensemble cast is - there are two real stars of Mama Mia! The Movie - the songs and the scenery.

The locations in Greece are nothing short of spectacular, with every frame like a perfectly composed postcard of paradise. You can't blame anyone on that island for being in such stupidly good moods - it's that astonishingly beautiful.

As for the tracks, even non-ABBA fans could be excused for tapping their feet along to pop culture hits like Dancing QueenS.O.S.Money, Money, MoneyTake a Chance on Me and of course Mamma Mia!. They are all so instantly familiar, which is why this particular adaptation works much better than something like The Producers did.

For those who gathered in groups like a pack of wild and horny hyenas to see Sex And The City on opening night with Cosmopolitans in hand, be prepared to set one more night aside at home with your gal pals - except this time - arm yourself with a bottle of champagne.

Pop open the bubbly, load yourselves up, and prepare yourself for a good old fashioned girly sing-along. Because you get the feeling that, for a particular audience, this one is going to be a crowd favourite for years to come.

DVD EXTRAS

You could really get away with excluding Special Features all together on this one, because you just know those shoving it into their shopping bags are just going to have the film on "Reapeat".

So, if you are going to include anything on a DVD release of a film of this ilk - you really can't go wrong with a "Sing A Long" option to allow you sing your favourite hits. I really can't imagine this DVD without it - and it's probably the most spot on extra (in terms of the wants and needs of its audience) I've ever seen.

Also included are the usuals : Feature Commentary, Featurettes (Anatomy Of A Musical Number, The Making of Mamma Mia) and Deleted Scenes.

The Outtakes are excellent - and prove yet again how much fun it must have been on the set, while the Deleted Musical Number (Name of the Game) offers just enough bop to tip this over the edge as one of the most worthwhile Christmas presents for Mum you are ever likely to come across.

Conclusion: Movie 70% Extras: 75%

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