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Mulholland Drive

Review by James Anthony


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I reckon that some movies, like some pieces of art, were made/created by the director/artist to make fun of critics.

And they were done purely so that the creator could sit back and watch as critics (some of whom are just so full of doo-doo) pontificate and blather on about what a terrific and deep piece of art it is.

For mine, Mulholland Drive is one such movie, where director David Lynch has come up with a stylish and fascinating, but - in the end - a totally unsatisfying 141-minute film.

It follows the arrival in Hollywood of the young fresh-faced wannabe actress Betty (Naomi Watts), who discovers a very strange nameless woman (Laura Elena Harring) in her new apartment. The stranger has lost her memory - having survived a pretty wicked car crash - and has an innate fear that someone is out to kill her.

Betty decides to help her and the girls find themselves right up to their gorgeous faces in the seedy side of Hollywood.

For two hours you are on a marvellous Lynch journey that will have you riveted to your couch and your mind racing to work out how things are going to work out.

Who is what? What is what? Where is what? Could it be such and such?

The characters are terrific, the film-noir mood irresistible and the lead ladies are sensationally beautiful. Watts is outstanding and Harring not far behind.

It's like Twins Peaks on acid and is utterly compelling - that is until the final 20 minutes or so, when the critics will tell you it rises to a new level of film-making.

Personally - and this comes from a Lynch fan - I reckon that's a crock and that Lynch didn't know how to tie all the ends up (or even finish the blasted thing) and thought he'd take the piss out of critics around the world instead.

All he did was leave me furiously cursing him for serving up such a tantalising dish that left your mouth tasting of McDonalds.

Conclusion: Movie (first 120 minutes) 95% (last 20 minutes) 0%
Extras 40%

Continued: DVD details at a glance >

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