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Prince of Persia : The Sands of Time

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Review by Sean Lynch

If it ain't broke, don't fix it - that's the motto that's been applied to Prince Of Persia : The Sands Of Time (easily the most blatant attempt to build a franchise in cinematic history) which comprises of equal parts of Pirates Of The Caribbean, Indiana Jones and The Mummy.

The only problem with that is... well, it comprises of equal parts of Pirates Of The Caribbean, Indiana Jones and The Mummy.

prince of persia

Prince Of Persia : The Sands Of Time (from legendary producer Jerry Bruckheimer) follows a rogue prince (an unnaturally buff Jake Gyllenhall) who reluctantly joins forces with a mysterious princess (Quantum Of Solace babe, Gemma Arterton).

The two then go to battle against dark forces (and a lot of guys wearing eye liner) in order to protect an ancient dagger capable of turning back time.

It seems this little dagger is releasing "The Sands of Time" - a gift from the gods that can reverse time and allow its possessor to rule the world.

Think of it as Back To The Future without the crazy plutonium stealing "Doc"... and more sand.

All the elements are here for quite a good time in front of the TV with the family Friday : Action, humour, hot girls, hot guys, sword play and an unnecessary dose of CGI.

So what makes Prince Of Persia so unbelievably forgettable?

Aside from the obvious emphasis on big and loud action pieces used to "bring this puppy home" (which are so noisy and messy that your brain just switches off most of the time) the biggest problem with Persia seems to be the pressure on Gyllenhall to carry a film with a fairly out-of-place accent.

Don't get me wrong, Prince Of Persia : The Sands Of Time isn't a bad way to spend your hard earned cash - it's fast, it's fun and it's easy enough to follow. Better yet, it's not a debacle on the scale of G.I. Joe or Jerry Bruckheimer other recent bomb The Sorcerer's Apprentice.

However it's not mind blowing in any way, shape or form either - due solely to the fact that we've seen it all before in other movies that, quite frankly, do it much better.

And that, sadly, is a problem. A $200 Million problem.

DVD Special Features

There are a few copies of this floating around, after all - the only way this mess will make it's money back is on DVD. While the movie's budget is reportedly $200M, the film only managed to make $90M in the USA - luckily, it took in a whopping $244M overseas (a grand total of $335M worldwide). 

Normally for a film to be considered "a hit", it needs to make back 2.5 times it's initial budget. Ouch!

There are digital copies availible with this as well as some featurettes which really do little to convince you the movie was worth buying on DVD.

Conclusion - Movie: 60% Extras: 55%

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