This Queen Elizabeth II ‘week-in-the-life-of’ effort is bound to
make as much headlines as the woman herself did when she was blamed for
not reacting to the death of [known adversary] Diana, Princess of
Wales, in 1997. Though the film doesn’t paint anyone as a true villain
or hero – though Prince Phillip doesn’t come out too good; quite the
bastard it seems – it’s as warts and all as a Salem witch. Frears
hasn’t shied away from telling it like it is; and the film is all the
more better for it.
The year is 1997, and Great Britain has a
newly elected prime minister, the youthful, buoyant Tony Blair (Michael
Sheen). The Queen (Helen Mirren) isn’t fazed by his arrival, but when
her former daughter-in-law Princess Diana is killed in a car accident,
her authority is tested as never before. Blair believes the Royal
family should react to the situation – raise the flag to half-mast,
have a public funeral; and so on – but as Diana was no longer royalty,
Elizabeth is determined to keep it a private matter. At least, until
the people turn on her.
Helen Mirren is a revelation as
Elizabeth. Commanding, Powerful and likeable (even when it’s hard for
her to come across as such), it’s the performance of the actresses long
career. It’s not often that you get an actor that looks as good as she
plays a real-life person, and Mirren’s pulled it off with shining Union
Jack colours.
In addition, Michael Sheen is brilliant as Prime
Minister, Tony Blair. He has it all down pat – the mannerisms, the
voice, and the behaviour. This is a career-making role; and is destined
to put Sheen on the fast track to fame.
Mirren and Sheen are
backed up by an apt support cast including James Cromwell as the stern
Prince Phillip, Alex Jennings as the torn Prince Charles, and a
redoubtable Sylvia Syms as the Queen Mother.
An engrossing film that’ll be quite eye opening for many, The Queen deserved every inch of the red-carpet treatment it got.
EXTRASExtras on the DVD include a 'making of' and two commentary tracks . The
cast, director and screenwriter provide good insight into the movie,
over the tracks, but none of them can really hold your attention. Flick
the commentary track off, and go back to the audio on the film itself -
it's appreciably more gripping. Conclusion:
Movie 80% Extras: 60% 
|