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Seven Pounds

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Review by Sean Lynch

Someone suggested recently that the overnight rise of Barack Obama's political success - and more importantly - his acceptance amongst the general public was thanks in large part to Will Smith.

Bear in mind this is a general public who, let's face it, up until this point in time laughed at the thought of a President who wasn't a crazy religious white guy.

Perhaps it was a case of the planets aligning, perhaps it was just a coincidence, perhaps the world just finally felt a wave of "not being total inbred racists"..

WILL SMITH : SEVEN POUNDS

But when Will Smith started taking the Worldwide Box Office by storm with the likes of Hitch, The Pursuit of Happyness and I Am Legend - the perception that all African Americans were "just like Chris Tucker" disappeared.

Will Smith somehow delivered to the white faced masses a confident, handsome, charming and intelligent guy who you would happily follow into battle.

Yep, it seems the Fresh Prince Of Bel Air did for the African American community in the space of five years what Al Sharpten couldn't do in over twenty.

Seriously - who saw that coming? DJ Jazzy Jeff, one would assume...

But confidence can often blur into over-confidence, which seems to be the case with Smith's latest in Seven Pounds.

It is a film so sure of itself, the marketing team dared not bother even explain what the film was about, which could explain why it was the first Box Office stumble for Smith since Ali several years ago.

Hell, the poster was just a giant shot of Smith's head - with the title not only on the same line but the same size as his name!

What we do know about Seven Pounds is this:

Will Smith reunites with the directors and producers of The Pursuit of Happyness for the emotional drama in which Smith plays Ben Thomas (an IRS agent with a fateful secret) who embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.

Oh yeah, and we discover he commits suicide less than thirty seconds into proceedings...

The problem here is that while Seven Pounds tries to be tricky (we are supposedly not meant to understand the whole shebang until the final five minutes) yet it is about as transparent and predictable as the jellyfish that serves as the films animal mascot.

That said, there is something undeniably gripping about Seven Pounds and it is all thanks to the two most charismatic actors currently peddling their wares on the silver screen : Will Smith and Rosario Dawson.

We all know how Will Smith oozes the charm, but Dawson has really gone under the radar for quite a while.

For the five people that actually saw Clerks II, you will know exactly what sort of performance Dawson is capable of - but it's in Seven Pounds that she well and truly stamps her unbelievable screen presence.

Seven Pounds is ultimately a film which doesn't quite pull at the heart strings as much as Happyness or as much as it would have actually liked to, as well as throwing up more than a few controversial "water cooler" conversational questions (such as: is this film's moral message "totally whack yo" and "does a charming super brain have the capacity to do more good alive than dead?").

A fairly solid effort, if not slightly preachy and misguided.

Let's just hope that Obama doesn't follow suit...

DVD EXTRAS

A pretty solid set of extras here certainly raise the stocks for those contemplating ownership of Seven Pounds, as a opposed to simply renting it or downloading it.

There is a pretty solid commentary with Director Gabriele Muccino, a few featurettes - the best of which takes a look at The Box Jellyfish: World's Deadliest Co-Star, as well as a bunch of deleted scenes.

Conclusion: Movie 70% Extras: 65%

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