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Spaceballs: Special Edition

Review by Clint Morris

Imagine biting into a once grass-green golden delicious only to discover it’s now started to brown and lose it’s taste. That’s the feeling you get revisiting the now two-decade old Spaceballs.

When it was first released it had bite, all these years later, its toothy-pegs have got a little blunt.

Spaceballs: Collectors Edition

Granted, the Mel Brooks space farce was never that funny to start with, it was merely only two or three reasonably good giggles and a few good set pieces, but today, not even those jokes and that backdrop do much. However, I’m guessing if you haven’t seen the film fifteen times and are yet to reach your sweet sixteen’s, it might still evoke a smile on your mug.

If you’ve seen Star Wars, you’ll get the funnies of the film. Rick Moranis, wearing an over-sized dark helmet plays, well, Dark Helmet (yup, that’s the ‘Darth Vader’ gag), Bill Pullman is disinclined hero Lone Starr (a play on Harrison Ford’s Han Solo), John Candy is his steadfast mog (half man, half dog) subordinate Barf, and Daphne Zuniga is the princess that needs rescuing (hello Leia).

Since it’s Brooks that’s behind the film, most of the jokes have a Jewish slant. The gag that takes the Mickey out of the over-merchandising of George Lucas’s Star Wars series is a winner, and the director’s imaginative take on Jabba the Hut – or in this case, Pizza the Hut – is memorable too.

When all is said and done though, Spaceballs plays more dated than a Bing Crosby record would on FM radio. What was funny in 1987 just isn’t as funny in 2005. Still, there’s enough here to warrant it a place in screen spoof history.

Spaceballs is still mildly engaging fun, but don’t rush out and revisit it if you think it’s going to encompass the same ‘Force’ it did back in the Reagan-era.

DVD Extras

The excellent extras package includes a newly-recorded documentary on the making of the film (featuring near everyone but Rick Moranis, for some reason, and the late John Candy), a featurette on Candy, a conversation with the writers, several trailers for the film, goofs, quotes, storyboard-to-film comparisons and most derisorily, because it’s the same one that Brooks did for the laserdisc version back in 1996, the audio commentary.

Wouldn’t it have been nice to have that updated? Possibly with the ensemble cast? Oh well.

Conclusion: Movie 70% Extras 75%

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