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The Tattooist

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Review by Sean Lynch

There is a lot to be said of an actor with enough grace to cut their losses and realise they simply aren't cut out for the A-List. While there are thousands of American Idol wannabes who are deludedly convinced they are destined for super stardom, it's good to see that some in the industry know how to assess their worth and use it to their advantage.

Jason Statham did it by cementing his place as an "A-List B-Movie Action Star" with such cult hits as The Transporter and Crank, and now Jason Behr is doing it as a Hollywood import across the globe.

The Tattooist

After minor success in the Alien based series Roswell, Behr was seen playing second fiddle to Sarah Michelle Gellar in The Grudge... and then not much else. So he went abroad, taking on the starring roles in the big budget D-War in Korea, the upcoming Senseless in the UK and now in The Tattooist (whose origins stem from New Zealand).

This creepy little flick which channels The Ring and The Grudge follows an American tattoo artist who wanders the world, exploring and exploiting ethnic themes in his tattoo designs. At a tattoo expo in Singapore, he gets his first glimpse at the exotic world of traditional Samoan tattoos, and, in a thoughtless act, unwittingly unleashes a powerful angry spirit.

In his devastating journey into Pacific mysticism, Jake must find a way to save his new love, Sina (Mia Blake) and recover his own soul.

Movie making really is at a level playing field these days thanks to digital. And that seems to be the major draw card of The Tattooist, is that is looks fantastic without ever resorting to helicopter shots of the Lord of the Rings landscape or feeling like an independent film. It is totally convincing as an international film - which is quite a difficult thing to achieve (and something Australian films have never really been able to do, with Aussie films always being "too Australian").

First time director, Peter Burger, weaves a great deal of tension and genuine creepiness throughout the film. But even more impressive is the level of heart and authenticity which also comes with the superstitions of the Samoan culture, something the Americans successfully explored with the Native Indians in film - and one can only hope there will be more films which venture into this territory.

Behr isn't great, mumbling his way through scenes with little personality - more often than not being completely upstaged by some of the great support performances for the New Zealand natives. He seems to get by purely on the novelty that he is a Hollywood actor in a country like New Zealand.

It's a curse Australians fall prey to also (you know - the same way we all get excited by Tara Reid visiting, despite the fact she's considered a drug-addicted-out-of-work-hack in her own country).

Overall, The Tattooist is a well paced and thoroughly entertaining spookfest - and further proof that (after this and Eagle Vs Shark) the New Zealand film industry is a force to be reckoned with.

EXTRAS

There are several Deleted Scenes included here, none of which are to exciting, but worthwhile for those who get into that sort of thing (though, I really believe Deleted Scenes are the biggest waste of time on DVDs these days).

There is also a fairly fluffy, but sufficient, Behind the Scenes featurette which delves a little further into the facts behind the Samoan superstitions on which the film is based.

Conclusion: Movie 70% Extras: 55%

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