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There Will Be Blood

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Review by Anthony Morris

Whatever you thought writer / director Paul Thomas Anderson (Boogie Nights, Punchdrunk Love) was going to do next, there's a pretty good chance it wasn't this.

An epic character study worthy of comparison to Citizen Kane, this sparse, bleak, and totally enthralling film has seemingly came out of nowhere (at least, Anderson's never made anything like it) to become one of the front-runners for film of the year at the 2008 Oscars.

There Will Be Blood

Not that it'd have half it's power without an riveting performance from Daniel Day-Lewis as the film's central - in many ways, only - character.

Daniel Plainview (who we meet in a fifteen minute, near-wordless sequence) single-handedly works a silver mine in the scrub of the turn-of-the-century American south west. A chance oil strike makes his fortune, the accidental death of a co-worker gives him an adoptive son, and word of a farm where oil bubbles out of the ground leads him to the Californian town of New Boston.

His operation brings prosperity to the town even as it hands over its destiny to him - a prosperity that local evangelical preacher Eli Sunday (Paul Dano) figures his church deserves a slice of. 

Battling Eli, nature, fate, and his own bitter nature, Plainview is a monster and all-too-human, given ferocious life by Day-Lewis in every scene of this towering achievement. 

An amazing, almost horror-movie soundtrack (from Radiohead's Jonny Greenwood) only adds to this film's ominous, driving tone. 

While There Will Be Blood certainly has its flaws (the focus on Plainview tends to shut out the supporting cast, while the final scene is both completely appropriate and a step too far), it is a truly classic work.


DVD EXTRAS with Sean Lynch

Much like the snails pace of the film itself, or the sparce nature of the oil fields (feel free to use whatever analogy helps you the most), the Special Features are few and far between here - but mesmerisingly beautiful.

Simply titled "15 Minutes" this is a beautiful selection of photos from the set, reasearch footage and photos from the oil fields of the early 1900s is accompanied by a taste of the haunting score of the film.

If the film wasn't your cup of tea (it really isn't one for The Mummy 3 crowd), then this sole extra won't do much for you. However, if you found yourself intoxicated by the world created by Anderson and Lewis, then "15 Minutes" plays out like poetry.

Conclusion: Movie 90% Extras: 65%


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