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Transsiberian

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Review by 
Amy Mackenzie

Just like a good wine goes with certain foods, sometimes a good film only goes with certain moods.

For example, you wouldn't crack open a bottle of Grange to go with a $2 cheeseburger (or maybe you would... I won't judge). Similarly, some types of films can only be appreciated when in a particular mood... Transsiberian is such a film.

Haunting, unsettling, and at times deeply disturbing, Transsiberian, is an examination of right and wrong, truth and lies, and the blurred lines that lurk between.

transsiberian

From the very first scene, the audience experiences a deep sense of foreboding; an unrelenting dread that lingers throughout. So, allow me to warn you: do not watch this film is you're already feeling less than cheery.

The movie centres around Jessie (Emily Mortimer) and Roy (Woody Harrelson); an American couple travelling from Beijing to Moscow on the transsiberian railway after working as missionaries in China. Their journey becomes complicated, however, when their strange cabin mates, Carlos (Eduardo Noriega) and Abby (Kate Mara), board the train.

The two couples form an unlikely, and at times uneasy, friendship that exposes both the dark and light aspects of each character. Bundle this together with a heroin heist and an unsavoury pair of cops (Sir Ben Kinsley and Thomas Kretschmann) who stop at nothing to catch the culprits, and this couple are in for the worst ride of their life.

Mortimer shines as our protagonist, Jessie; a profoundly flawed woman, trying to right a troubled past but unable to escape her true nature. Harrelson does a superb job as her husband Roy, who acts as her moral compass. At first he comes across as overbearing and controlling, however, without him to guide her she flounders, making decisions which lead to unfathomable horrors that not only endanger her own life, but his also.

All characters contain elements of good and bad; they are all flawed in some way, yet redeemed in others. The overall look of the film is very dark, although shot against the backdrop of the Siberian snow. Black and white is used frequently to symbolise the theme of right and wrong, yet, the film hints at the fact that morality is not black and white, but many shades of grey.

However, whilst the film's dreariness is aesthetically fitting, it does make it irksome at times to catch what is happening when adapted from cinematic to television screen. 

Transsiberian is often incredibly hard to watch. There is a constant feeling that things will only get worse for the characters (to the point where you start to think there is no possible way for things to deteriorate further...but they do. Over and over again).

Although Transsiberian is very well constructed, and beautifully acted, it does lag and often feels as long as the train ride itself.

An ultimately rewarding experience, but exhausting in its relentless sense of dread. 

DVD Special Features

Not a great deal on offer here, which is surprising considering Madman are usually offer up quite an impressive array of extras for their cult releases.

For what it's worth, there is a brief "Making Of" featurette as well as the Original theatrical trailer.

Conclusion: Movie 75% Extras: 45%

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