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Undead or Alive

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Review by Sean Lynch

There are three categories of SNL alumni: Stars (Ferrell, Sandler, Rock, Akroyd, Murray), Forgotten (Ana Gasteyer, Julia Sweeney, Rich Hall, Chris Elliott) and Dead Legends (Farley, Hartman, Belushi).

Sadly, as time goes on - I really worry that A Night At The Roxbury's Chris Kattan is fading into Category #2 quicker than Britney Spear's can down a bottle of Chivas Regal.

Undead or Alive

After a string of fairly lame comedies (Corky Romano being the highest low point - and what seemed to be the final nail in the coffin in terms of a continuing A-List career) which include such "I've Never Heard of Them" titles as Totally Awesome, Adam & Steve and Christmas In Wonderland (in fact, he has quite a few cheap and nasty Christmas titles attached to his CV) it's little wonder that Undead or Alive came across his desk.

Thankfully, the low budget and rather cheesy premise (a Zombie Western) delivers far more than one might expect proving Kattan still has something left to offer Hollywood.

The flick follows army deserter Elmer Winslow (Desperate Housewives' James Denton) and local cowboy Luke Budd (Kattan) who are on the run after robbing the evil Sheriff Claypool. Things soon get a tad more dangerous when the angry posse chasing them turn into Zombie's (thanks to the "Curse of the White Man" created by the great Apache Geronimo). Thankfully, a sexy Apache warrior (The O.C's Navi Rawat) and ancestor of the great Chief bumps into the two misfit cowboys along the way - and together the three battle the Undead the only way they know how....with violence.

Straight up, one has to make some form of comparison to the far superior Shaun of the Dead - and my immediate thoughts while watching the flick was "Bugger me, this reminds me of Try Parker's Cannibal: The Musical".

Well, surprise surprise, writer/director Glasgow Phillips was a writer/director on South Park - and he even mentions in the commentary at one point that Parker even gave him a few tips along the way, so it's hardly surprising that there are some similarities afoot.

The major problem here stems from the overall look of the film. The flick looks way to clean (although, some of the shots of the horizon & landscapes do look superb), the sets look far to much like the Universal backlot, which ultimately results in giving the film the feel of a higher budgeted themed porno (without the naughty bits).

Visuals aside, there are quite a few laughs to be had. Denton givess a superb performance, delivering his lines with such seriousness and rooted realism - and with all the zombie shenanigans going on around him, it really helps the comedy thrive. Kattan takes a while to warm up, but once he gets into the rhythm of things he delivers a good dose of chuckles (although, it's still his overtly camp nature which receives the bulk of the laughs).

The real discovery of Undead or Alive (besides the understated comic ability of Denton) is the utterly gorgeous Navi Rawat. The girl is stunning to look at, with attitude to boot. It's a shame she has been relegated to B-Movies (and the appallingly titled upcoming monster sequel Feast 2: Sloppy Seconds) and minor TV roles, because she really shines on screen.

Ultimately, Undead or Alive is uneven at the best of times with a concept that came about just a few years to late - but it's redeemed by some fantastic performances (Kattan's recurring inability to spit had me laughing for days afterwards) and some gory zombie executions.

The zombies may be dead - but Kattan's career might still have some life in it yet!

EXTRAS

There is a commentary here with the cast, and for the first time in a long time - it's a cast commentary where all involved seem like they are actually happy to be there. You kind of get the sense that appearing in the flick was "A favour for a friend" for most of the cast - so the sense of well being is ever present and makes for an entertaining extra feature.

There is a couple of "Behind The Scenes" featurettes which are surprisingly entertaining (none of the fluff that normally weighs down the promo features of big budget comedies) as well as the trailer.

A surprise packet.

Conclusion: Movie 65% Extras: 65%

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