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 Beneath The Valley Of The Ultra-Vixens

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Review by Sean Lynch

Holy Hell! Where do we begin with this one?! Is it comedy? Is it porn? Is it a porn-edy? Or is it simply a very, very funny movie that just happens to have more boobs in it than Hugh Hefner's bedroom?

The answer is...it's a bit of everything!

Russ Meyers' Beneath The Valley Of The Ultra Vixens

Written by respected film critic Roger Ebert (under the pseudonym R. Hyde) in 1978 with cult director Russ Meyer, Beneath the Valley of the Ultra-Vixens is a sex farce/satire/comedy/porno flick with a good dose of jibes aimed at the Catholic church thrown in for good measure. Oh, there's also the...well...what can best be described as a "Norg-Fest".

This is a surprisingly funny movie, full of great one-liners and sexual innuendo. But don't worry, somewhere amongst the bustacious stars there is a thinly veiled story - disguising itself as a plot - disguising itself as a pair of breasts. 

Junkyard worker Lamar is having a strange marital problem - however, there's only one thing that can turn him on, and it’s rather uncomfortable for his wife, Lavonia (the gorgeously sexy Kitten Natividad) who is "...hotter than a Mexican's lunch...". If Lamar doesn’t get help soon, though, Lavonia may go through every man in town to get her own satisfaction. Luckily, buxom radio evangelist Eufaula Roop may be able to help Lamar before it’s too late.

This is the final feature film completed by director Russ Meyer before the end of the 20th century. Having gained proffesional experience as a newsreel cameraman during WWII, he took up a job as a Playboy photographer upon his return to the States. Meyer' unique creation of sexploitation films during the 60's (such as the cult hits Motor Psycho and Faster Pussycat! Kill! Kill!) spawned many imitations. However, by the dawn of the 1980's, Meyer' popularity began to wane with the advent of hardcore pornography.

The film features the director’s most masterful, rapid-fire editing to date. Ultra-Vixens is also the most sexually graphic of any Meyer film, with many comical close-ups of male and female genitalia. But there's a good dose of broad humor, with non-stop visual gags, comic sound effects, and Meyer’s typically hyperbolic narration. All of his films are the major influences behind the boundary pushing filmmakers of today including Quentin Tarantino and the Farrely Brothers.

It's certainly not film-making at it's best. It's difficult to even describe it, as it's not so much "filmaking" as it is "a guy with a camera and some naked friends". Nonetheless, it is an important piece of American film history - and also a great comeback if Roger Ebert ever has a bad word to say about your work!

DVD Extras

The extras are surprisingly good. There is a commentary by Russ Meyers himself recorded just prior to his death in September of 2004. Also included are trailers for several other Russ Meyer films.

The most interesting extra is a 15 minute interview with The Latin Brunhilde: Kitten Natividad
who talks very opening about her time making the films, as well as her sexual relationship with Russ Meyer's himself.

Conclusion: Movie 65% Extras: 50%

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