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Wall-E

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Review by Sean Lynch

Consistency is a pretty rare commodity in Hollywood, but Pixar is at the forefront.

These guys have yet to slip up since they first hit the silver screen over a decade ago - and there is simply no comparison.

Wall-E is Pixar's latest creation, and while it may not be as demographic friendly in the vein of Toy Story
Finding Nemo or Cars, it could quite possible be the best Pixar film ever.

Academy Award-winning writer / director Andrew Stanton takes the idea of feature length CGI animation to a new level with Wall-E with 95% of the film playing out without a single spec of dialogue.

And, somehow, he makes it succeed on every level.

Wall-E

It is an art form which has been absent since the days of Chaplin, if only because it is mighty difficult to try and convey emotion, story and humour via facial expressions.

Yet,  not only has Stanton and the Pixar team achieved a phenomenal ability to convey a story through body language - but they have conveyed it without a human body.

Wall-E follows the story of one of earth's last robots (a Waste Allocation Load Lifter Earth-Class) left behind on earth by the human race to fix the lifeless mess they made themselves.

However, Wall-E (who looks like the inter-species spawn of Short Circuit and ET) soon discovers a new purpose when he encounters a sleek search robot names Eve (sent to Earth to search for any sign of sustainable human life).

Eve comes to realise that Wall-E has inadvertently stumbled upon the key to the planet's future, and races back to the Axium spaceport (which essentially shows what life will be like once every aspect of human living is iPod-ised) to report her findings to the humans.

However, when Wall-E follows her - things soon get out of control...

There is very little not to like about Wall-E. It looks magnificent, it is clever, it is funny and it keeps things simple.

However, is it a children's classic?

The thing is, Wall-E is perhaps a little too smart for it's own good.

It's the sort of film which will have the pompous film critics salivating over the political, eco and moral messages conveyed (Fred Willard, as President of the World, is spot on in his unsubtle satire on the Bush Administration). 

But, at the same time, it's probably not "in your face" enough for Pixar's usual crowd, with the style more attuned with kiddies who haven't quite got to the stage of speaking yet.

In that regard, it's both a brilliant move and a cinematic achievement.

But what will the "Where's the voice of Ben Stiller?" crowd think of it?

Is it a bit "slow"?

Is it a tad "boring"?

Does not enough "happen"?

It really does depend on what you are looking to get out of your CGI kids flicks.

For mine, this is without doubt the most innovative films (both visually and story telling wise) to hit the mainstream in years.

Whether our current generation appreciate it at this point in time is irrelevant, because much like the little robot hero in the film itself, this is a style of film making which will live on forever, transcending popular trends, language and society itself.

A must see.

DVD EXTRAS

If there is one thing that Disney always gets right, it's DVD extras. Not once have I come across a Disney release that hasn't been given the 110% treatment when it comes to respecting the audience and offering up value for money - and the Wall E extras are probably the best I've seen in a long time.

So that is really saying something.

The two disc edition is the best way to go as it is positively packed with stuff. Along with the commentaries, deleted scenes and varied featurettes - there are also some supreme goodies in the form of the short films BURN-E and the near perfect Presto.

There is more and half the fun is just navigating it and discovering it yourself - do yourself a favour and grab this as soon as you can. It's also a perfect candidate for beginning your Blu-Ray collection, the pictures are that sublime.

Conclusion: Movie 85% Extras: 90%

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