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The Artist



Review by Anthony Morris

the artist

The Artist

the artist

The important thing to know going into French silent film, The Artist, is that it's a comedy, and a very funny one at that. 

You may not have assumed that from the words "French silent film", but right from the opening joke - a man being tortured says on a title card "Ill never talk" – the tone is set for a film that's both a salute to and an attempt to have fun with a kind of film that died out before pretty much all of us were born.

George Valentin (Jean Dujardin) is a star of the silent screen, appearing (alongside his dog Nipper) in corny action thrillers and romances with an easy charm and seductive smile. 

Bumping into average gal Peppy Miller (Bérénice Bejo) at a premiere, his presence gives her a brief moment as an "it" girl, and inspires her to go into the movies herself. 

She becomes an extra and ends up sharing a dance scene with Valentin, and in take after take we see them fall in love – a love that can’t be, as Valentin is married. 

Then the talkies arrive, Valentin can’t adapt while Peppy’s star soars, and it looks like they’ll never be together. 

This uses up pretty much every single joke that could be made about silent film (there’s even a sequence where Valentin is terrified by the sounds he – and we – suddenly hear) without wearing out it’s welcome, thanks in large part to Dujardin’s convincing charm as a utterly likable, completely self-absorbed ham. 

There’s a lot of fun bit parts from American actors (John Goodman, James Cromwell) and the whole thing really nails the feel of old-timey film production too. 

The Artist is so much more enjoyable than you’d expect a project like this to be, it’s no wonder it’s getting all that – rightfully deserved – attention during awards season. 

Just remember to turn your phone off when you see it.

out of 5


The Artist
Australian release: 2nd February, 2012
Official Site: The Artist
Cast: John Goodman, Malcolm McDowell, Bitsie Tulloch, Missi Pyle, Penelope Ann Miller
Director: Michel Hazanavicius



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