Indiana Jones and the Kingdom of the
Crystal Skull
Review
by Sean Lynch
More Indiana Jones: The Temple of Indiana
As
easy as it could be to come out swinging the negativity bat in the face
of the die-hard Indiana Jones
fans
(and be certain, there will be plenty who will) there is simply no
escaping the joy which will exude from any movie fan once that John
Williams
score kicks into gear.
It's been a long time in between drinks for Indy, and a long
time between quality for Spielberg.
While
Box
Office numbers will suggest the King of Hollywood
blockbusters has
lost none of his abilities, it has to be said the enjoyability of his
output since Saving
Private Ryan
has been about as inconsistent as lumpy custard.
So it's no surprise
that both Steven Spielberg and Harrison
Ford (whose last real career
highlight was back
in '97 with Air Force
One) have headed back to the well for another dip
of Indy gold.
Set in 1957 (twenty odd years after Last Crusade)
the latest installment kicks off at a ferocious pace, getting straight
back into the sort of action which has been indented into the
pop-culture psyche associated with Indy.
And it isn't long before
Indiana Jones is thrust back into action, venturing into the
jungles of South America in a race against Soviet agents to find the
mystical Crystal Skull.
There
is simply no escaping the pure enjoyment of the first hour or so of
this film. It holds true to every tradition of the Indy legacy: wit,
action, real-life stunts, plot.
Ford slips back into the character with
ease, newcomers Cate Blanchett (as an evil Russian villain) and Shia
LaBeouf (as young greaser Henry "Mutt" Williams) are immediately in
sync with the Indiana
Jones style (with the right mix of cheesy B-Grade
Action serial and tongue in cheek humour) and most importantly - the
stunts are good ol' fashioned STUNTS!
There is just so much to like about Crystal
Skull (I
caught myself with an embarrassingly huge childish grin on my face on
more than one occasion),
which is a real achievement when you consider the uphill battle against
anticipation a film like this was always going to face from
fans.
And
for the first two thirds of the flick, Spielberg almost makes you
believe he is going to achieve what Lucas never did with his re-booted Stars Wars trilogy:
consistency with the source material.
But,
just after the halfway mark, it seems like Spielberg went home and
Lucas snuck onto the set to film the final few scenes without anyone
knowing - because Crystal
Skull goes pear-shaped.
And
it's a really obvious change as well; the action is taken away
from reality and thrust in front of the blue screen.
The sole element
(besides Ford) which differentiated the series from the slew of
heartless CGI rip-offs like National Treasure
and The Mummy
franchises, was that the action felt real... because it was
real. Real sets, real stunts, real grit. But towards the end
of
the film the over the top action CGI sequences are thrust upon the
audience with such volume they ultimately lose all meaning and impact.
Much like the problems that plagued Die Hard 4.0,
it seems like everyone involved seemingly forgot the reason why these
films worked in the first place - the simple reality of it all. Anyone
who thought John McClane leaping from a jet plane onto a crumbling
freeway and killing a helicopter with a car was a "Jumping the Shark"
moment for that franchise... you ain't seen nothing yet (without giving
to much away... Atom Bomb. Fridge. Waterfalls. Spaceship).
The CGI really wouldn't be a problem had the first half of the film not
been so perfect,
because if it were all on par with National Treasure
you could easily just throw it out as a bad movie.
But the sad fact is the majority of Crystal Skulls is a
really really
great movie, which makes the final product all the more frustrating
because we know what it could...
and should...
have been.
None
the less, it's still a great flick - full of iconic imagery (look out
for the 'hero' shots of Shia LaBeouf's Mutt Williams character, which
Spielberg has obviously created to exist on par with that of Indiana
himself) and good old fashioned adventure.
Bring on Indiana V!
First Half: 5 out
of 5
Second Half: 2 out
of 5
Indiana
Jones and the Kingdom of the Crystal Skull
Australian release: 22nd May, 2008
Cast:
Harrison Ford, Karen Allen, Cate Blanchett, Shia LaBeouf
Director: Steven Spielberg
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