The Jammed Review
by Clint Morris
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There are films that’ll make you cry. There are films that’ll make you laugh. Some that’ll even keep you up at night. The Jammed will make you ‘Google’.
Thought-provoking
and, at times, alarming, Dee McLachlan’s Melbourne-made drama fixes on
a topic rarely delegated newspaper space: human trafficking - and not
in South Africa or Eastern Europe but right here in pothole-ridden
polluted Melbourne.
As you sleep comfortably in your bed
tonight, faintly listening to 3AW on the clock radio, somewhere out
there some unsuspecting foreigner is being forced into being the goods
that some scumbag’s going to use for barter.
Australia is a
destination country for some women from East Asia and Eastern Europe
trafficked for the purpose of commercial sexual exploitation. The
majority of trafficking victims were women who traveled to Australia
voluntarily to work in both legal and illegal brothels, but were
subject to conditions of debt bondage or involuntary servitude. There
were several reports of men and women from India, the People's Republic
of China, and South Korea migrating to Australia temporarily for work
whose labor conditions amounted to slavery, debt bondage, and
involuntary servitude. - U.S. State Dept Trafficking in Persons Report, June, 2007
Based on a script by McLachlan, The Jammed
tells the story of an Asian woman who arrives in Melbourne determined
to find her missing daughter. With the aid of the reluctant Ashley
(Veronica Swyak), the distraught woman discovers her daughter Ruby (Sun
Park) has been sold into slavery – and as a consequence, her life won’t
be the same. Now that Ruby has been discovered, there’s hope for a
couple of other sex slaves, Vanya (Saskia Burmeister) and Crystal (Emma
Lung) – or is there?
If it were a Junior cricketer, The Jammed
wouldn’t be picked in a line-up. It wouldn’t. It’s too small, it’s
talents aren’t as showy as the others and it’s seemingly quite keen
just to stay as quiet as a POW. Like the cricketer though, it does have
the talent and it’s also got a lot more to offer than some of the other
players do – in this case, a story that’ll have you thinking and
talking for days to come – in most cases. Give it a pitch and it’ll
bowl you over. It just needs the pitch first.
The film itself
may be a little too small in scale to ever compete with the big boys –
it feels a little underwhelming in parts (especially the finale – which
needed a little more punch) - and doesn’t have the all-encompassing
story that many theatre goers might be hankering for, but if it was to
do an intentionally small piece about an intriguing subject then
McLachlan has succeeded. Merit is sometimes better than moulah, after
all.
Performance-wise, everyone is rather brilliant – Lung, Sywak and especially Saskia Burmeister (Hating Alison Ashley)
who fools the audience with her frighteningly credible performance as
the fiery Vanya. It’s a turn the AFI should notice come last quarter.
The
supporting players are also rather impressive. From Todd MacDonald to
Debra Lawrence and the always fab Kate Atkinson, McLachlan scores
points off the bat for casting the fantastic rather than the famous.
Hopefully The Jammed
won’t be swallowed whole by whatever hugely-marketed blockbuster is
released the same week – it should be seen; it deserves to be seen.
It’s undoubtedly one of the best Australian films in recent times. 3.5 out
of 5 The Jammed Australian
release: Showing at Cinema Nova in Melbourne from the 16th of August.
Cast: Veronica Sywak, Emma Lung, Saskia Burmeister, Sun Park, Amanda Ma, Andrew S.Gilbert Director: Dee McLachlan
Website: Click
here. |