By Clint
Morris
Interview with Judd Apatow, Seth Rogen and Paul Rudd Stars
of Knocked Up.
Judd
Apatow has the Golden Touch
Paul
Rudd and Seth Rogen (below)
In
writer/director Judd Apatow’s new flick 'Knocked Up', Seth Rogen plays
an unworldly oaf whose terrified to discover that he’s about to become
a father. Paul Rudd plays his under-the-thumb best friend. Clint Morris
caught up with Apatow, Rogen and Rudd in Australia to chat up the film
‘everybody’s talking about’.
Judd,
this is a fantastic movie – but it’s also a frickin-terrifying movie!
Three weeks out from having my first child, it’s probably not the best
thing for me to be watching [Laughs]
Judd:
You’re gonna live that money shot! Seth: [Laughs] Yeah! Paul:
But also the joy that comes with it. Judd:
Yeah, we’re only simulating it.
But
that’s the thing; you do movies that are real – even though they’re
out-and-out comedies.
Judd:
It’s funny, my friend Jake Kasdan just saw the movie for the second
time - he saw the three hour cut when I first started the
movie,
so he hadn’t seen it since…. Seth:
Really? What a dick! [Laughs] Judd:
He was very excited. He loved it. He also thought it was the closest to
Freaks
and Geeks,
in terms of charm, that I’ve done. I tried to be super realistic but
also really funny – it’s a challenge. I had to ask myself ‘how could I
get laughs as big as the 40-Year-Old Virgin
without being too broad? And being even more character-driven’. That’s
exciting for me – and I didn’t have to rip anyone’s hair off. Paul:
I think in the next movie you should wax a baby Seth:
Wax a Vagina! Paul:
‘The 40-Year-old Brazilian’.
Judd:
As opposed to Superbad
which is just two guys, the poster for Getting Sarah Marshall
– which is the film I’m doing now – is very similar to the first two
except it’s him [the guy on the poster] crying. Seth:
Really? That’s really funny! [Laughs]
Paul,
you seem much more at home in this movie (and The 40-Year-Old Virgin)
than you did in say, Clueless
or, um, the Halloween
movie. Is that right to say?
Seth:
Jesus! [Laughs]
Halloween.
Sorry
man. Shouldn’t have brought that up. [Laughs]
Paul:
No, no, no, no - - And you know your films so you’d be well-versed in
the Halloween
film series. Which one did I do? Was it the Revenge?
No, the
‘Curse’ of Michael Myers
Seth:
The Curse [Laughs] Paul:
Ah yes, the Curse. You know I like doing these movies [with Judd]
they’re really fun…
Not
to say you aren’t good in everything you do Paul. There’s an old film
of yours that I really love – and I’m sure a thousand critics will
disagree with me here – called Overnight
Delivery. The thing you did with Reese Witherspoon.
Paul:
Wow! I’m sure there are a thousand critics out there who would
disagree! Funny you should mention that, I was flicking around a few
months ago and it was on. I watched about ten minutes of it. Reese was
great in it and then there’s me… it was like ‘Wow, look how funny I’m
trying to be’. Judd:
Didn’t Kevin
Smith re-write that? Paul:
Yeah he did the re-write on it – he did like a page one re-write on it.
They never gave him credit. Seth:
Really? Judd:
This was right after Clerks,
if I recall. Paul:
Yeah. Seth:
Doesn’t Road Trip
have the exact same plot? Paul:
Yep, it’s the same movie. It came out years later. I think someone told
me that Todd Phillips [the director of Road Trip] had had
lunch with Kevin Smith. Ah, yeah… I remember seeing Road Trip years
later and saying ‘this is the exact same movie’.
But you
didn’t have Tom Green in yours.
Seth:
Exactly. That’s why. Paul:
No, but we had Larry Drake! Seth:
A Tom Green-esque figure [Laughs]
Bottom
line man. You smooched Alicia Silverstone in Clueless. You rock.
Paul:
[Laughs] Seth:
Yeah! [Laughs]
You
guys just did another movie together, I believe? With Michelle Pfeiffer?
Paul:
Yeah, it’s called I
Could Never Be Your Woman.
How’d
that go?
Paul:
It was fun, it turned out all right. It’s in a bit of a legal mess now,
so I have no idea if it’ll ever come out.
Seth. This is your first lead
role in a movie. Any pressure?
Seth:
Um, yeah, I guess. If the movie failed I would probably never work
again – that was prominent in my mind. I remember telling myself ‘I
don’t know what I’m doing, so try not to do much’. I really took it on
a scene to scene basis and when you approach it like that it feels no
different to anything else – like The
40 Year old Virgin – only you’re the star of the movie not
just one of many people in the movie. I don’t really think about it
very much.
Judd, was Seth always the lead in
your mind?
Judd:
Yeah, I try to write for people. I’d write a lot of movies for people
and then I’d finish them and those people wouldn’t want to make them. Seth:
You knew that would not happen with me! [Laughs] Judd:
Since Seth was unemployed, and available, I thought it was a very smart
decision. I like a collaborative process too – like when you’re
watching Seinfeld
or
something and all the people are really great because they seem to be
working together, it’s so much better working with people you know. I
got tired of writing for people that would never do my movies, too. It
was like ‘He might do it. He has a slot available in two years’. I got
kinda tired of that. I’d seen people I like make great movies with
friends, like Bottle
Rocket,
and I was so impressed with how Wes [Anderson] broke through – then he
had the power to cast Jason Schwartzman to play the lead in Rushmore.
And now
Seth is the De Niro to your Scorsese!
Seth:
[Laughs].
You’re a real Hemingway. Judd:
Woody Allen.
There’s
been so much shit this year, thanks for making a good movie though guys.
Judd:
It’s gonna be exciting to win an Oscar! Paul:
[Laughs]
Yeah. Judd:
Or at least the Spike TV Awards. Paul:
We’re going to be like the Three-Six-Mafia of next year’s Oscars.
It’s
already my wife’s favourite movie. Granted… she likes any movie with
someone from Friends
in it. ‘Mike from Friends
is in it? I’m there!’. In all seriousness though, is this
character in the film the closest to you, Paul?
Paul:
[Laughs] I
kinda think it might be, which sucks.
Pussy-whipped?
I actually thought you were playing me in the movie…
Judd:
Finally someone speaks up for the pussy-whipped! Paul:
There’s elements of the guy that are definitely me. The guys said I
wasn’t too far from the guy I played in 40 Year Old Virgin
too – a guy who went out with a girl for a couple of months, several
years ago, and still can’t get over it. I still have dreams about the
girl I liked in sixth grade. But yeah, there’s certainly elements of
this character and his story that are me, though I think I’m in a
happier place – I’m happily married with a great son – than he is.
What
made Adam [Scott] the best choice for the male nurse in the movie? [Laughs]
Paul:
He’s one of my best friends. He’s hanging out with my wife right now. Seth:
We always laugh about… and it’s the subtlest thing…. But when he turns
around [in the movie] and does it in a way that he expects the audience
to expect it’s someone famous. And then he turns around and you’re like
‘Is that Ben Stiller?’ And then they’re like ‘No, I don’t know who that
guy is!’. The way he does it is so deliberately self-important. It
makes me laugh every time. He’s got his back to the camera for a really
long time and then…. He reveals himself. It kills me. [Laughs] Judd:
Someone said they thought it was Eric Bana. Seth:
That’s great, that would have been so funny if it was Eric Bana playing
the male nurse [Laughs].
(They
notice the 40-year-old Virgin DVD in my file)
Judd:
Have you seen that DVD? There’s actually some good stuff on there. The
video diary is actually very funny. They shut us down for a bit… and I
wanted to see whether they put it on there. Paul:
To see my fluctuating weight? Seth:
Mine too [Laughs] Paul:
They shut us down and said, ‘Can we make Paul look like less of a
serial killer and have him lose 27 kilos?’
Judd,
in your mind, is this your best film?
Judd:
That’s hard to say. I’m glad it came out well. I wanted to do something
personal. If people had hated it it would’ve been like they were
rejecting my life. For me, its just having the courage to do it again,
I’m already terrified to start writing the next one. Having a success
doesn’t make me feel any more confident – its just if you had hated it
I would have zero confidence. But I’m really excited and baffled that
people like it so much. I never thought people would be interested in
anything specific to my own life. The fact that people can relate to it
is great!
So it’s
based on your life?
Judd:
In the same way that I related to the insecurity theme in The 40-Year-Old Virgin,
I related to the panic theme here. I always feel like I’m on a first
date with my wife – so just that idea of always wanting someone to like
you. When two people have been together for a long time and know
everything about each other, that’s a very vulnerable place. When Paul
says ‘I don’t know if anyone likes me’ that to me is the core of the
movie. Paul: You’ve
heard all my stories, and you now know they’re all kinda lame but I
still might be able to make them interesting. Judd:
Sometimes I’ll be out with Lesley and I’ll say something and people
will laugh. She’ll say ‘I never realised you thought the things you say
around the house are funny?’