Last Train To Freo
Review
by Clint Morris
Last Train to Freo
might be travelling along a different track to the usual mainstream
feature, but its end of the line is a place that’s a lot more
rewarding, heartening and satisfying than the pricier, larger-scale
pics that take that usual, more heavily-rode, route.
In short, director Jeremy Sims’ (yep, that
Jeremy Sims) film is a loco that’s not so much interested in
making cabbage and showing off its toys (which most films, even
Australian films, are primarily concerned with – lets be honest),
as it is the characters and captivation – and depending on how
much substance you like with your long, tall glass of cinema, it might
just be your poison. As a screenwriter myself, it satisfied near as
much as a triple sambuca. It’s a classic example of how simply
filming what’s on the page – results in premium grade goods.
The simple things in life are often the best, says the commercial, and Freo
is proof of that. The film, a claustrophobic drama/thriller, set
primarily in the one location, and with only a handful of actors,
manages to draw it’s audience in just as much as that Kryptonian
man in tights, heavily-sideburned clawmaster, or code-breaking
historian - and it’s all thanks to some superb writing (by
Reg Cribb), some marvellous performances (the four leads are superb
– never for a minute do you see a well-rehearsed actor up there),
and primarily, some intricate and rather proficient direction by former
TV star (who can forget his legendary ass flashing on Chances)
turned theatre, and now film director, Sims. The man definitely knows
what makes a good story, and coupled with Cribb’s script, gives
us one of the ‘realest’ films of the year.
“The Breakfast Club
on a train” – but with a killer sting under it’s
bonnet – if you will, the film is set in Western Australia, over
the course of a hot Summers night, where two ex-con friends (Steve Le
Marquand & Tom Budge) are taking the train to Fremantle. Pretty
much only interested in causing trouble and mucking a ruckus, they
start to get under the skin of the few – who enter the picture,
and therefore the train, at different times – passengers who
enter their carriage. Things take a surprising, and rather tense, turn
when an intriguing link is exposed between a couple of the passengers.
Granted, the film does take a slightly cocky turn
– seemingly seeing just how much it can get away with – at
the early end of it’s third act, and there are a few obvious
shifts in tone that might put some off, but they’re small beefs.
Overall, it’s a quality production.
All aboard for the best Australian film of the year – book yourself a seat on the Last Train to Freo.
4 out
of 5
Last Train To Freo
Australian release: 14th September, 2006
Cast: Steve Le Marquand, Tom Budge, Gigi Edgley, Glenn Hazeldine, Gillian Jones
Director: Jermey Sims
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