Macbeth
Review
by Clint Morris
Click Here To Read The Interview with Macbeth star Lachey Hulme
Like an old coat just back from an expensive dry-cleaner, Geoffrey Wright’s Macbeth most definitely isn’t new, but damn, it feels like it.
Essentially Bazz Luhrmann’s Romeo & Juliet
without 'The Sunscreen Song’, the film H.G Wells’ the
bard’s legendary literary landmark into the 21st century –
and plants said writings smack bang into a setting & scenario
straight out of a DePalma pic (Only that’s glorious Melbourne,
looking ever so striking on film, playing host to the film’s Mr
and Mrs Macs).
Wright (Romper Stomper)
takes the overdone tale of Macbeth (let’s admit it, a straight-up
version of it would be about as appealing as a stale bacon sandwich
– its been done to death) and drops it into an urban crime story.
Besides the fact that everyone’s walking around with guns, goons
wear leather jackets, trucks are a main form of transport, and our hero
has a snazzy mobile phone, it plays to the same tune: our young
gangster wannabe (Worthington) wants to climb to the top of the crook
ladder, but is informed by some ‘weird’ witches – who
appear only to him, of course – that the only way to do that is
to knock-off the big man (Gary Sweet). Slowly, Mr and Mrs (Victoria
Hill) Macbeth’s plans for criminal domination start to get the
better of them, especially when they decide its time to bring the
redoubtable Macduff (Lachy Hulme) down.
The film may have worked just as well without the
actors having to resort to speaking in the natural Shakespearean tongue
– that may even have opened the doors to a wider audience –
but its commendable that they have taken the tougher road. (Wright and
co-writer Victoria Hill have done a top job of adapting it, too –
adding a jazzy new spin to its body by simply taking it out of its own
world, and into another, and resplendently detailing the surroundings).
Still, it’s because of that that the film may be a cinematic wart
– and take a while to grow on you.
The mass ensemble cast – including comic
faves like Mick Molloy and Bob Franklin, making rare, and impressive,
dramatic turns – pull off their roles as easily as someone slips
off undirty socks at the end of the day. Sam Worthington and Victoria
Hill are appropriately maniacal and immerse as the film’s Mr
& Mrs Sinister, but it’s Lachy Hulme – best known here
for the comedy Let’s Get Skase – who excels, delivering a likeable, heartfelt and highly credible performance as the film’s unlikely hero.
Though there are parts of the film that
don’t work as well as others –either because the
actor’s are concentrating too hard on saying the classic words
than giving their all, or style starts to precedent over substance -
for the most part, it’s a venerable, rather captivating effort
that is rather refreshing in these recycled times.
The ever-present banshee of the wordy Shakespeare
will be giving it two thumbs up. Hopefully there are enough brave
cinemagoers to do the same.
Mactops.
3.5 out
of 5
Macbeth
Australian release: 21st September, 2006
Cast: Sam Worthington, Victoria Hill, Lachy Hulme, Anna Anderson,
Steve Bastoni
Director: Geoffrey Wright
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