Master and Commander: The Far Side of the
World
Review courtesy of The Napoleonic Guide
The
Lord be praised. Hollywood has got it right. Largely due to a couple of
rather clever lads from Australia, boosted by some great British actors
and a whacking great bankroll from the US.
For Russell Crowe's latest epic, Master
and Commander: The Far Side of the World, is a rivetting
historical drama set during the Napoleonic Wars.
Peter Weir's film adaptation of the Patrick
O'Brian novels easily combines realism, with senses-rattling action and
adds in more than its fair share of an appreciation for history and
naval tactics.
The hero is Lucky Jack, also known as
Captain Jack Aubrey RN (Russell Crowe) whose ship the HMS Surprise is
on a seek-and-destroy mission against a French privateer Acheron.
Aubrey and his crew are battle-hardened and
confident, however, the enemy has a far superior ship and a captain who
seems as good as the hero himself.
Master and Commander: The Far Side
of the World opens with an awesome example of the horrors of
Napoleonic naval warfare when the 24-gun Surprise is ... surprised by
the 44-gun frigate Acheron.
It is eye-averting stuff at times, but the
devastation and horrendous results of 18-pound cannonballs smashing
through wooden hulls and flesh have to be seen to be believed. And the
grim nature of wooden ships versus iron men is only matched by the
cramped and almost inhuman conditions that sailors in the days of
fighting sail had to endure.
Unlike most historical movies, Master
and Commander: The Far Side of the World has no space between
sacking hammocks to allow friends to chat during the long voyage. This
is a cheek-by-jowl existence where even the officer's room is barely
larger than table-sized.
And as for the idea of prim and proper
officers, Aubrey's mob are hard-drinking dinner party guests who
release the tensions of months at sea with drinking until sobriety is
well over the horizon. Uniforms are presentable, but not pristine, hair
cuts are not perfectly coiffered and looks and body shapes are not what
you'd expect from Hollywood.
Neither is Aubrey a Hollywood hero. He's
brilliant, but fallible, and when his conscience - good mate and ship's
surgeon Stephen Maturin (Paul Bettany) - suggests he's possibly going
over the top he is dismissed with a savage curtness. But this adds to
his character and the richness of the human mix in Master and
Commander: The Far Side of the World and shows the heroes of
the Royal Navy to be nothing more than courageous, loyal men.
The basic plot of the movie is that Aubrey
and his crew sail to intercept a French frigate that is out to sink as
many British merchant and whaling ships as it can.
It begins with the ambush off Brazil and
then continues on a long and exciting pursuit around the vicious Cape
Horn and all the way to the Galapagos Islands. On the way the crew of
the Surpise has to deal with a host of exciting perils, wonderful
discoveries and personal tests.
Above all, however, there is the wonderfully
plotted game of cat and mouse between Aubrey and the unseen captain of
"the phantom" Acheron.
It is mentally stimulating and will have the
adrenalin pumping to boot.
Photographically it will make art lovers
weep with pleasure as almost every shot is a perfect blend of framing
and focus.
Every actor involved is superb and while the
focus is usually on either Crowe or Bettany the support cast threatens
to steal the show all over the place. George Innes, in particular, is
one of the best superstitious old salts you could ever wish for.
Master and Commander: The Far Side
of the World is possibly the best movie ever made about the
Napoleonic Wars and one can only hope that Hollywood turns its
attention to a period in history that is teeming with more adventures
and characters than there are fish in the oceans.
Master and Commander: The Far Side
of the World is a must-see adventure that one hopes is only
the beginning of a wonderful new cinematic era.
4.5 out of 5
Master and Commander: The Far Side of the World
Australian release: Thursday December 4th
Cast: Russell Crowe, Paul Bettany, James D'Arcy,
Edward Woodall, Chris Larkin, Max Pirkis.
Director: Peter Weir.
Website: Click here
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