A Whore for Horror: Patrick Lussier
Interview by Clint Morris
Interview with Patrick Lussier
Editor on the movie Red Eye, Scream.
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Patrick Lussier's partner in crime, Wes
Craven, directing Rachel McAdams to
the bathroom while she daydreams
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Patrick Lussier wears many hats: Writer (Dracula 2000),
Director (Dracula II : Ascension, The Prophecy 3: The Ascent),
Visual Consultant (Darkness Falls), Music Consultant
(Reindeer Games), Second Unit Director (Cursed),
and Editor (Scream, Mimic, Music of the Heart) - the
latter making up the preponderance of his day-to-day crust.
As horror master Wes Craven's right-hand man in the editing
booth, Lussier's back behind the panel of switches for Red
Eye, an intriguing new psychological thriller, helmed
by Craven, and starring Rachel McAdams and Cillian Murphy.
"Red Eye is a Hitchcock-styled thriller about
'strangers on a plane.' Rachel McAdams and Cillian Murphy
play Lisa Riesert and Jackson Rippner respectively.
"The story starts out as 'one thing' then gradually
twists darker and darker," explains Lussier, from his
home in Hollywood.
"We're all immensely proud of it and our involvement
with it. It's a rollercoaster ride with a long ramp that suddenly
takes off with enough twists and turns to keep the audience
on edge."
Lussier explains that he wasn't originally attached to edit
the film with Craven. "I came onto the film late into
production. Wes had wanted me to start from the beginning
but I was in pretty active development on a project to direct
over at Lions Gate. Gradually that began to go south and Wes
and Marianne Maddalena, his producer, came back to me asking
if I'd still be interested in assuming the editing duties.
One thing let to another rather quickly and I came on board
to re-cut and finish the film," said Lussier.
"It was a great experience to cut such rich performances.
Wes did a fantastic job with Rachel and Cillian, really delving
into the nuances of each of their characters. In Rachel's
case you have this mysterious and somewhat damaged woman who
shies away from personal connections, drowning herself in
work and with Cillian you have this very charming and ruthlessly
determined 'business man' who must meet certain deadlines
at any cost.
"A portion of the film takes place on the flight itself
with our lead characters sitting side by side. Their conversations,
with performance, Wes' direction and Carl Ellsworth's great
writing, were riveting to construct, allowing the tension
to tease out or suddenly explode depending on the moment.
Rachel's magnificent. She's a real beauty with great acting
talent. Her performance with Cillian's completely drive the
movie."
Lussier's relationship with director Wes Craven begun a few
years back, when Lussier was hired to work on a short-lived
TV series that the 'Nightmare on Elm Street' director was
doing.
"I first started working with Wes in 1991 on 'Nightmare
Cafe' for MGM television and NBC. It was a cool, quirky anthology-like
show with wrap-around characters (I think that may have been
the pitch or something like it). Robert Englund, Lindsay Frost
and Jack Coleman were the stars. I cut Wes' episode which
was called 'Aliens Ate My Lunch'. It was about aliens abducting
cows for their milk. We hit it off and have worked together
since then."
Among the projects Lussier and Craven have worked on together
- Vampire in Brooklyn, Music of the Heart, Scream,
and the world-renowned floperoo, Cursed. The film's
a sore spot for Lussier.
"I think everybody involved was disappointed in the
performance of Cursed. How could we not be? We all
spent a very long time, some spent well over two years on
the film, and to have it open the way it did was disheartening.
The film itself went through such strange journeys that in
the end it was just a relief that we got to complete it,"
Lussier says of the film, a Frankensteinian-effort about a
werewolf terrorising Los Angeles.
Craven has also returned the favour, producing some of Lussier's
directing efforts, including Dracula 2000 and it's
sequels Dracula II: The Ascension and Dracula III:
The Legacy. Lussier loved doing the films, he says.
"I had a great experience working with Joel Soisson,
Keith Border, Ron Schmidt, Nick Phillips, Andrew Rona and
everybody on the Drac pack films. I'd be lying if I said I
wouldn't be intrigued to delve back into that arena. Joel
and I have certainly discussed continuing adventures. But
with the Dimension/Disney split I believe the rights have
been left to Disney so I can't really say if they'll be interested
in a few more adventures. I hope so."
A fourth Scream - the first three of which Lussier
edited - is also up in the air, he says. "Scream 4?
You'd have to ask the lords of Weinstein Co. if they have
plans for that. But given the success of the first three wouldn't
you be surprised if they didn't?"
Meantime, Lussier's trying to get a few of his own projects
off the ground. "I've got a few things I'm pursuing directing-wise.
We'll see which comes in, if any do. Beyond that, who knows?"
Red Eye commences on September the 1st.
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