Rock n Rolla
Review
by Clint Morris More: Second Opinion Review | Interview - Guy Ritchie
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Rock N' Roll
is the answer to everything. Feeling down? Turn it on! Feel the
need to dance? Turn it up! Just in the mood to have a good time?
Dance? Sing? Tap your feet? Let your hair down?
Bring it on!
And Guy Ritchie's new film will stir up all those emotions, too. Aptly, it's called Rocknrolla
- and yes, it will have you clenching a fist, holding it up high and
swaying it back-and-forth in the direction of the ashen screen.
Ostensibly
given up on his campaign to step outside his comfort zone and try new
things - good for some, not for others, especially when they make
pedestrian poop like Swept Away - Ritchie returns to the battleground he made his name in.
That's
right - the seedy, cheeky, anything-goes back-streets of bustling
England, now and forever occupied by some of the craziest cats you're
likely to see this side of an Andrew Lloyd Webber musical.
Rocknrolla is Lock, Stock and Two Smoking Barrels on acid or, to cite a more recent example, Snatch on Redbull.
It's
just insanely fast, frenzied high-spirited fun. Thank god Madonna let
her husband off-the-leash to do something fun again (and something she
didn't insist in appearing in!).
It's brilliantly-written,
immaculately performed and deliciously directed. If rock is the devil's
music, this is the devil's movie - and by Jeeves, the red guy knows how
to party.
The film opens with an explanation - provided by the
narrator of the picture, Archie (Mark Strong) - as to what the title
refers to:
"People ask the question...what's a RocknRolla? And
I tell 'em - it's not about drugs, drums, and hospital drips, oh no.
There's more there than that, my friend. We all like a bit of the good
life - some the money, some the drugs, other the sex game, the glamour,
or the fame. But a RocknRolla, oh, he's different. Why? Because a real
RocknRolla wants the fucking lot."
And by film's end, you'll know who the Rocknrolla is.
You
don't exactly need to have your brain switched on watching a film like
this, but since it moves fast and ultimately weaves its characters and
their stories, it's best to stay a little alert. Miss the chorus, and
you'll be a tad lost.
When a Russian mobster (Karel Roden)
orchestrates a crooked land deal, millions of dollars are up for grabs,
and all of London's criminal underworld wants in on the action.
Everyone from a dangerous crime lord (Tim Wilkinson) to a sexy
accountant (Thandie Newton), a corrupt politician (Jimi Mistry) and
down-on-their-luck petty thieves (Gerard Butler plays the ring-leader)
conspire, collude and collide with one another in an effort to get rich
quick.
There are similarities between Rocknrolla
and Ritchie's previous gangster pics (for instance, there is the
priceless article of trade that everyone wants to get their hands on -
in this case, a painting), there is the cockney recitation throughout
the film, and there is the scary-ass mo-fo who'll eat you for brunch.
Vital ingredients. All part of the tasty cocktail.
Ritchie is
clearly the star of the show with his incontestably fun script and
awesome array of characters, but the actors he's rounded up for the
flick - and like his earlier pics, they aren't all names - are
absolutely stupendous.
Gerard Butler, Tom Wilkinson, Mark Strong (also brilliant in Ridley Scott's latest film Body and Lies),
Thandie Newton, and Yankees 'Ludicrous' and Jeremy Piven, truly liquefy
into their characters. It looks as if they're having as great a time as
we are watching them, which is even more delightful.
The film
may sound like a 70s roller-skating disco drama, but it's anything but
- it's bad-to-the-bone and proud of it. It'll turn your frown upside
down and regurgitate your buoyancy in the British gangster pic (that
were all the rage in the 90s before they became month-old-cheese-stale).
Rocknrolla is the most fun you'll have at the movies this year. Guaranteed.
4 out
of 5
RocknRolla
Australian release: 30th October,
2008
Official
Site: RocknRolla
Cast: Gerard Butler, Idris Elba, Toby Kebbell, Thandie Newton, Jeremy Piven
Director: Guy Ritchie
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