Chris Stills – Chris Stills
(2006)
Review
by Max Roach
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Chris Stills
Tracks
1. Landslide 2. When the Pain Dies Down 3. Kitty Cathy 4. For You 5. Story of a Dying Man 6. Flying High 7. Say my Last Goodbye 8. Demon 9. Fool for Love 10. Golden Hour 11. Sweet California 12. Fanny (Hidden) (French cover)
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Chris Stills is a solo artist with a great gift reminiscent of Jeff Buckley,
a soft and beautiful but prominent voice. And with his latest
effort, this Buckley of the new generation is certain to find some new
fans. Stills manages to tie in a lot of his roots throughout the album with
numerous French songs accompanying his own take on the more traditional
acoustic blues/rock/folk, and it works. With quite a significant bit of
musical heritage behind him (Stephen Stills of Crosby, Stills, and
Nash… and Young) and best-selling French artist Veronique Sanson, its
no surprise that Stills has such a great skill, not just vocally but
with such a varied instrumental ability that was no doubt taught to him
by his parents and roadies throughout his youth. Spending a lot
of his youth in France after his parents split he moved to America
where he roadied for his dad and started up his own band with Leonard
Cohen’s son, Adam, but then hooked up with Atlantic records which led
to his first release in 1998, "100 Year Thing". His new album,
returning almost eight years later, has strong folk tones to a lot of
it, but again with that Jeff Buckley feel (which is no surprise
considering the drums on this album were performed by Jeff Buckley's
former drummer, Matt Johnson). It's an extremely well
produced and recorded album, although at times seems to struggle to
stand out against the plethora of other solo acts, which is unfortunate
with the obvious talent and potential you can experience with songs like Say My Last Good Bye and Landslide. Stills'
intriguing songwriting style is certain to capture the curiosity of
many as this is one of those albums that you wish would be listened to,
more than talked about. The French version of Fanny (a hidden
track at the end of the album) strikes a smile across my face every
time I hear it, although paying respect to his father’s music in his
mother’s language comes across quite oddly when I think about it. It's adult
contempory by the numbers - so if you've got Buckley, John Mayer, Ronan
Keating or Bernard Fanning on high rotation in your CD player, this
might just do the trick. RATING: 3 out of 5
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