The Getaway
Plan - Other Voices, Other Rooms
(2008)
|

The
Getaway Plan
Other Voices, Other Rooms
Tracks
1. Other
Voices / Other Rooms
2. Streetlight
3. Where The City Meets The Sea
4. Sleep Spindles
5. New Medicine (Stay With Me)
6. Shadows
7. A Lover's Complaint
8. Red Flag
9. Entr'acte
10. Rhapsody On A Windy Night
11. Transmission
|
|
Download
Album:

Purchase CD: 
Let’s call a spade a spade. This music is not rock, as the band
themselves classify it.
I import all my CDs to iTunes, and as soon the tray retracted into my
computer with this appalling album, I knew I had been lied to. Let me
be the first to tell you, there is not one thing "rock" or even
"alternative" about The Getaway Plan. Unless the term “alternative”
applies to anything our parents find annoying (which is anything loud).
Or unless it applies to "alternative" to good.
This album in particular couldn’t wash the shit-stained underwear of
some of the great rock bands of our time; rock music is supposed to
have a certain power about it, and the lyrics are meant to mean
something. Like Cold Chisel and Khe
San. The classification of “rock” doesn’t even loosely
apply to The Getaway Plan.
In their debut album "Other Voices, Other Rooms", they write solely
about being 'oh so alone' and the inability to fall in love. I know
it’s cliché to rag on emo bands, but, well, the only positive this
album presented me was a new Frisbee.
It’s generally pretty hard for me to play a song and more or less
dislike it, but what can I say? The Getaway Plan has such a generic
sound (even stealing the title of a novel by Truman Capote to name
their grossly common record) the music has so little substance and the
singer is so, so whiney!
If 'The Plan have rock aspirations, they need to ditch the finger tap
solos, palm muted chords, typical rhythm section bass lines that mimic
the guitar chords and try something different. If I could bring myself
to attempt a second listen of this horrifically mediocre CD, I bet I
would find that the same chords are used in only slightly different
progressions.
The Getaway Plan makes me angry. This isn’t even music that can grow on
you; if it were played on the radio (and lets face it - that's their
aim here), you wouldn’t change the station; you would rip out your
stereo system and throw in onto a busy highway. That, or crash your car
off a bridge into the sea.
The pure lack of originality in "Other Voices" is probably its biggest
downfall; it tells me any band can listen to My Chemical Romance (who I
actually quite enjoy) and create terrible imitations using cliché
effects, generic chord progressions and lyrically, more of a travesty
than Wolfmother, whose lyrics were the worst I had experienced until
this album.
The biggest tragedy about "Other Voices, Other Rooms" is drummer Aaron
Barnett. Unfortunately, he can hold a drum line quite well, and if only
his talents were put to better use, he would be a good addition to any
band…if he toned down the thrash beats just a fraction.
I know music is a subjective thing, and seeing that this band classify
themselves as rock, I thought to myself, “Too easy! I was looking for a
new band to get into” but how bitterly disappointed I was to find such
a terrible group of so-called musicians.
While this band’s target market is left with disheartened feelings of
self-loathing, I simply loathe myself for putting me through this
entire album.
Time for The Getaway Plan to come up with a new strategy: How best to
stop wasting my precious time!
RATING:
0.5 out of 5
|

|
|
|
|
|
Download
Album:

Purchase CD: 
Brought to you by The Dwarf
|