The Killers - Day and Age (2008)
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By
Jonno Seidler
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The
Killers
Tracks
1. Losing
Touch
2. Human
3. Spaceman
4. Joy Ride
5. A Dustland Fairytale
6. This Is Your Life
7. I Can't Stay
8. Neon Tiger
9. The World We Live In
10. Goodnight, Travel Well
11. A Crippling Blow
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If you want proof that 2008 has been a
relatively lacklustre year for music, look no further than November's
"KKK" triple threat:
It's an album which sees The Killers
straying even further from what it is they do well, for no apparent
reason.
Sorry, I'll take that back, there is a perfectly legitimate excuse for
why "Day and Age" is so ludicrously cheesy (and it stems back to
Kanyeezy)...
Brandon Flowers' head has gotten so large that he refuses to take
advice from anybody who politely reminds him that he is not a demigod
of Rock n' Roll!
Brandon the Mormon has always been a presumptuous kid, bursting at the
seams with poetry and song, all while channelling late eighties
synth-pop stars with surprising success.
That was cute four years ago, but now the pomposity is starting to lose
its sheen.
The predicament lies with a band who cut their teeth on indie stompers
like Mr Brightside
and Somebody Told Me,
seething with sex and intrigue which apparently Flowers stopped caring
about somewhere down the line.
Spaceships, mysterious dancers, aliens - hell, they are all here. But
as for things the average listener can actually relate to?
Not really.
First single Human
illustrates this perfectly; the blitzkrieg of keyboard washes
completely - essentially defeating the purpose of having a drummer,
bass player or guitarist while Flowers wails in the painful upper
register he found on the band's last outing but still hasn't managed to
conquer.
He is a fantastic vocalist, when he realises his limits and loosens up
a little, such as in the delightfully tropical I Can't Stay, the
heavens almost open.
The problem is all the war-like, massive anthems like Losing Touch and
countless others, where The Killers take on Coldplay,
U2 and Phil
Collins all at once... and get absolutely slaughtered.
You can't fault their ambition (whatever they decide it to be this
year), and when they get the wheels moving in sync, The Killers are a
force to reckoned with.
But shunning what makes one popular in order to pursue delusions of
stadium grandeur is a CRIPPLING BLOW to any fan.
Hopefully this is just an awkward teenage stage, and the best is yet to
come.
RATING:
2 out of 5
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Brought To You By The Dwarf
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