The Streets - Everything is Borrowed (2008)
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By
Tyler Mathes
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The
Streets
Tracks
1. Everything
Is Borrowed
2. Heaven For The Weather
3. I Love You More (Than You Like Me)
4. The Way Of The Dodo
5. On The Flip Of A Coin
6. On The Edge Of A Cliff
7. Never Give In
8. The Sherry End
9. Alleged Legends
10. The Strongest Person I Know
11. The Escapist
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I am a fan of The Streets, but
disappointingly I have found
that each of their albums to be less exciting than the one that came
before it.
Debut effort "Original Pirate Material" was a
little ripper, as clever and original as anything released in recent
memory. The follow-up "A Grand Don't Come For Free" also impressed with
its linear story-telling and catchy singles.
The success of
that album and subsequent over-indulgence was documented with mixed
results in "The Hardest Way to Make an Easy Living". Let's face it...
it sucked.
Now we have the forth title from Mike Skinner &
Co in "Everything Is Borrowed", which when I received it, filled me
with hope that it would buck the trend.
The most glaringly
obvious thing about "Everything Is Borrowed" is that Skinner has
shifted from cynical, self-centred hedonist to born-again, altruistic
philosopher.
Prior to the release, he told fans that this one
would have a 'peaceful, positive vibe', and he wasn't lying either –
this is The Streets album to put on next time your grandparents are
over for afternoon tea.
Much of the appeal in the best Streets
songs has come from Mike Skinner's ability to make trivial things seem
important and important things seem trivial - but here he really zooms
out to focus on the bigger picture.
Far removed from his more
trifling concerns about the amount of fake-tan applied to the chick he
is chasing, or the burden of the camera phone to the recreational
celebrity drug user - the main themes here are appreciation of life and
the relative insignificance of the individual in the grander scheme of
things.
And this is all great, good on him. But as a listener, its just not as
much fun.
With a mellower Mike at the helm, the new songs lack the energy and
bite of earlier efforts from The Streets like Turn the Page and When You Wasn't Famous.
Newbies like The
Strongest Person I Know and Heaven for the Weather
are enjoyable enough, but no where near as striking and immersive as
classics like Blinded
By The Lights.
Normally
the scallywag in Skinner would always provide a few laugh-out-loud
moments on each album, but his trademark humour is all but missing from
this love-in.
All that said, "Everything is Borrowed" is by no
means a bad album. The melodies and beats are skilfully crafted, and
remain a cut about most of his contemporaries. A richness is added by
using real instruments in most of the songs, in the place of the
samples that dominated previous albums. Many of the lyrics are quite
thought-provoking, and the rhymes are still highly original and often
surprising in their structure and flow.
However, there is just very little that sparks genuine excitement.
The album is bookended by its two best songs (opener Everything is Borrowed
and closer The Escapist)
but neither are fighting for a playlist position at your next party.
So, as happy as I am that Skinner has found contentment, I really did
enjoy his music more when he was pissed off.
He has said that the next Streets album will be the last, and heres
hoping it will be the first to improve on its predecessor.
RATING:
2.5 out of 5
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