Whisky Galore
By Jeremy Torr
Whisky
is simple to make. Just water, grain and yeast. It’s the way the
ingredients are put together that makes it special. Jeremy Torr visits
Speyside, home of the finest malts, to learn the language of whisky.
“The
first whisky was probably an accident,” says Ian Logan, my guide to the
secret recipes behind Scotch Whisky and a self-described “hairy-arsed
Scotsman”. Ian is International Brand Ambassador for one of the big
brands, and as genuine a whisky expert as you can find. Over 2m tall,
almost as wide, and with bright red curly hair, he even wears a kilt
when he takes the fancy.
“This area around the River Spey in
Scotland – where many of the best malt whiskies are made – has always
been a fine place for growing barley. And it has wonderful clear
water,” he says. “In the old days, the farmers would sometimes have too
much barley after the harvest, so they would malt it to stop it from
going mouldy and being wasted,” he adds. Malting encourages the
harvested barley grains to start germinating (turning the starch inside
each grain into sugar), and it is then smoked to stop the germination
going too far. The malted grains are mixed with water, yeast added,
then distilled to yield raw whisky. Job done.
“Basically, that’s is all you need for whisky. Malted barley, water, and a little yeast,” says Ian.
Admittedly,
there are a few more steps than that, but this is the essence of whisky
– and has been since 1494, when it was first made for James I of
Scotland. This may make whisky-making sound straightforward, but Ian
it’s more tricky than it sounds. And the most difficult part is
learning whisky language.
“First you grind up the malted
barley to make grist, then you mix the grist with water in the mashtun
to make mash, then leave it for a while before you drain off the wort,
leaving the draff which is turned into cattle feed,” explains Ian. He
is busy flashing up slides from a complex Powerpoint of chutes, vats,
valves, recirculating pipes and stills.
My head was spinning
with jargon by this time, but Ian was having none of it as we wandered
around the centuries-old buildings at Strathisla Distillery,
established in 1786 and Scotland’s oldest working distillery. A
sparkling salmon river flows through the grounds, and Ian’s office
looks out over the water to the tree-shrouded steeple of the local
kirk, or church. Not a bad place to work, even without the whisky.
Ian
explains some more. “The mashtun – that’s the big vat that holds the
mash – is drained of its wort (liquid), which is then mixed with yeast
to help ferment the sugars from the grain, and to start producing the
alcohol in what we call the wash,” continues Ian, warming to his theme
of confusing with vocabulary. “The wort, together with the
newly-added yeast, is piped into even bigger fermentation vats called
washbacks. These contain several thousands of litres of wash, and are
left to ferment for about two days,” he says.
This is the
crucial part of the process which produces alcohol, with carbon dioxide
as a by-product. Which makes bending over the vats – as I did – a risky
affair. It’s hard to know whether the jargon, the alcohol fumes or the
carbon dioxide make you more giddy.
“Once the yeast has done its
work, and transformed the wort into wash, which is about six to eight
per cent alcohol and smells like beer, it is ready for distilling,”
explains Ian, taking me along a tiny metal walkway to the copper
stills, which are highly polished works of art as tall as a
three-storey house. Clear liquid can be seen bubbling up against
peepholes, and hissing noises fill the room as alcohol is distilled
from the wash.
This is where things go from agricultural, from
vats stirred by crude paddles, to super complex and highly refined.
“The stillman – the man who looks after the still – has to make sure
only the middle cut, or heart of each distillation run, gets piped to
the holding tanks. The first spirit out of the still (the heads) has
too many volatile long chain molecules, and the last (the tails) makes
the final produce taste too strong because of the residuals,” says Ian,
getting more technical by the moment.
I long for the simple world of mashtuns and wort. No matter – at least the whisky tastes great . . .
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